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Tag: Rihanna (81-90 of 214)

Whitney Houston biopic reportedly already in the works, Rihanna's name mentioned for lead role

Only two weeks after Whitney Houston’s passing, rumors are already circulating about a tell-all book to be penned by her ex-husband Bobby Brown and a biopic being put together by longtime mentor Clive Davis.

In fact, the U.K.’s Daily Mail thinks that Rihanna is the favorite to play Houston, with Jennifer Hudson, Vivica Fox, and Jordin Sparks also apparently on the short list.

All of those ideas remain simply rumors—and pretty flimsy ones as well; the names largely seem less like genuine casting news than an arbitrary collection of black actresses.

So let’s assume that Rihanna, whose first film role will come this May in the board-game-turned-big-screen-action-flick Battleship, is not exactly a lock for the part, despite the fact that the two women share a pop-star background and complicated relationships with guys named Brown.

However, Houston’s biography is so rich that it seems inevitable that it will end up on the big screen one of these days. Assuming that, who should take on the title role in The Whitney Houston StoryREAD FULL STORY

The-Dream says Rihanna asked to collaborate with Chris Brown

Rihanna’s got someone in her corner, and this time it’s not Miranda Lambert.

The-Dream recently spoke out in defense of Rihanna’s controversial collaboration with ex-boyfriend Chris Brown — and clears the air on how the two remixes came about.

“It was Rih’s idea,” he confirmed to Billboard.

The-Dream, who produced the “Birthday Cake (Remix)” track released on Rihanna’s birthday, says he made sure to stay supportive of her decision.

“Not only do we work together, but [Rihanna] is a friend of mine,” the producer said. “I don’t know how she got the logistics and how it happened — maybe she’ll talk about it one day. I showed up at the studio, and it was like, ‘All right, cool, let’s finish this record.’”

“For me, it’s just music,” he continued. “Two talented people doing a record together, doing two records together, and that’s what it was. It wasn’t about an incident that happened. The true thing really is to forgive, and… you want to believe in people.”

READ FULL STORY

Adele and Ed Sheeran win at U.K. music's Brit Awards

Soulful songstress Adele capped a momentous year of Grammy Awards triumph and medical woes with a double win at the U.K.’s Brit music awards Tuesday, taking prizes for album of the year and best British female solo artist before making an obscene gesture after the show’s host cut her acceptance speech short.

Teen-friendly English troubadour Ed Sheeran won two trophies, including British male solo artist, at an energetic ceremony in London. READ FULL STORY

Rihanna and Chris Brown release simultaneous remixes, guest on each others' new tracks

Most people blow out a few candles on their birthdays, but Rihanna, who turns 24 today, seems determined to start a full-on fire.

In the wake of Chris Brown’s controversial return to the Grammy stage last week (many people — like Miranda Lambertwere uncomfortable that Brown, who pled guilty to felony assault after a fight with Rihanna the night before the 2009 Grammys, was welcomed back to the show and given two performance slots), the “We Found Love” singer has been playing awfully nice with her ex.

Earlier today, Chris Brown tweeted, “HAPPY BIRTHDAY ROBYN” (Rihanna’s real name is Robyn Rihanna Fenty), to which she quickly replied “Thanks!” The small exchange was enough to launch a thousand blog posts asking whether Rihanna should be interacting so benevolently with her former beau, whom many feel has not demonstrated adequate or genuine remorse about his past iniquities.

But a moment ago, Rihanna took the reconciliation (and thus the controversy) a step further when she tweeted out a remixed version of Chris Brown’s single “Turn Up The Music” that features her own vocals as well. She wrote, “Turn up the music remix #RihannaNavy #Teambreezy enjoy!!!” and attached the video below: READ FULL STORY

Chris Brown's post-Grammys media maelstrom: What does it say about us?

By now, the world is well aware that Chris Brown’s two performances and televised win at Sunday night’s Grammys marked his first appearance on the show since he was forced to miss the 2009 ceremony after assaulting his then-girlfriend Rihanna.

His showing there seemed to confirm that this guy was a superstar, at least in the minds of the people curating the Grammys, and that everything he had done—from the initial assault to his various temper tantrums—was water under the bridge.

Recording Academy president Neil Portnow was defensive about the amount of attention Brown’s appearance garnered: “If we’re going to get in trying to personally evaluate artists in terms of their personal lives, that’s a slippery slope that we wouldn’t want to get into,” he said the following day. “That’s really where the judgment comes from: music professionals listening to the music of other professionals. Clearly, our voting membership rated highly Chris’ musical work this past year.”

Show producer Ken Ehrlich also defended Brown. “I just believe people deserve a second chance,” he said to ABC News Radio on Feb. 7. “The year he had this year, really brought him back into the public. If you’ll note, he has not been on the Grammys for the past few years and it may have taken us a while to kind of get over the fact that we were the victim of what happened.” (No really. He said that.) READ FULL STORY

TV Jukebox: 'House,' 'Pretty Little Liars,' 'One Tree Hill,' and more music-on-TV moments

Even though love songs account for about 90 percent of the market (a statistic I just made up as I listened to Adele and Snow Patrol on repeat), it’s been a while since we had a good line-up of serious heart flutterers here on TV Jukebox. From a rain-soaked reunion (Pretty Little Liars) to a synchronized swimming-themed proposal (Glee), it was a good week for all things gushy and gooey. Some were searching for love (Private Practice, Happy Endings), while others were letting it go (Gossip Girl, The Secret Circle).

Of course, that doesn’t mean there wasn’t room for a some rumbling (Teen Mom 2), reconciliation (House), revenge (Hell on Wheels), strip club shenanigans (One Tree Hill, CSI), and straight-up struttin’ (House of Lies). All of which is without mentioning the most disturbing use of ’80s soft rock to come down the pipeline is quite some time. Thanks for that, Criminal Minds! See our latest picks below. (Warning for those still catching up on DVR: SPOILERS ahead!) READ FULL STORY

The 10 top music-video directors of 2011: Watch their best clips here

Looking back at the best music videos of 2011, one thing leaped out: All of the best clips were made by the same six or seven people.

So rather than call out individual entries for their greatness, we’re going to reward the directors who put together the best portfolios this year. Anybody can make one excellent video, but it takes serious jiujitsu to knock out three great ones. That left a lot of awesome videos on the table (all apologies to excellent entries like Foo Fighters’ “Walk,” Beyoncé’s “Countdown,” and Ke$ha’s “Blow”), but this is a pretty good sum-up of the year in music videos.

1) Spike Jonze
Jonze only stood behind the camera for two videos this year, but they were both game-changers. Beastie Boys’ “Don’t Play No Game That I Can’t Win” was a sandbox revelation that was way better than the actual feature film based on GI Joe, while Jay-Z and Kanye West’s “Otis” turned that pair’s obsession with commercialism into a bombastic brand of Americana. Pour one out for the fallen Maybach, and raise your glass to Jonze, who proved that no amount of directing polarizing adaptations of beloved books for children can take away his four-minute spark. READ FULL STORY

Album Sales: Michael Buble tops the chart (again), and Adele logs her best sales week yet

Michael-Buble

Michael Bublé’s Christmas has only been in stores for nine weeks, but it’s had no trouble becoming the 2nd highest-selling album of 2011, behind Adele’s 21.

This week, Bublé topped the Billboard 200 for a fifth straight week, selling 467,000 copies and lifting his holiday collection’s total to a very merry 2.43 million (all five of Michael Bublé’s albums have topped the 2 million mark). Expect a hefty drop next week, though, now that Christmas Day has passed.

In second place, Adele’s 21 notched its best-ever sales week (in its 45th week of release!), moving 399,000 units. The album’s previous best week came with its debut in February, when 21 sold 352,000. This year, 21 has sold an astonishing 5.68 million Stateside, and on top of reclaiming the No. 1 spot next week, the album should pass the 6 million mark early in the new year. READ FULL STORY

Rihanna's sexy, arty 'You Da One' video: Watch it here!

Even while “We Found Love” continues to dominate the top of the Billboard Hot 100 (it’s going into its ninth week at the chart’s pinnacle, with no signs of slowing and no sturdy challengers nipping at its heels), Rihanna refuses to let the train slow down.

On Friday, she released the video for her latest album Talk That Talk‘s new single “You Da One.” Though it didn’t seem like a standout track on the album, it does make perfect sense as a single, as its down-tempo dub rhythms contrast nicely with the four-on-the-floor strobe light pump of “We Found Love.” Of course, it still has an impeccable pop sheen (provided by co-producer Dr. Luke) and a sweetly rolling melody (likely care of co-writer Ester Dean).

The video also takes a left hand turn, veering away from the ultra-intense narrative of “We Found Love” in favor of a more experimental, head-trippy vibe. Rihanna appears in a handful of set-ups by herself, blows smoke that occasionally forms words, and uses her (deceptively not nude) body as a canvas for various black-and-white projections. Check it out below, but be warned: There is a lot of crotch grabbing. READ FULL STORY

Dutch editor fired over racial slur to describe Rihanna

The editor of a Dutch fashion magazine has been fired after using a racial slur referring to Barbados-born Rihanna that set off a social media furor and prompted an outraged response from the singer. Eva Hoeke, editor of Jackie, and the magazine’s publisher said in a joint statement on Facebook that Hoeke’s use of a racial slur — “although without malicious intentions” — was cause for her departure after eight years on the job.

Hoeke said she was unaware the word was so loaded because “you hear it all the time on radio and TV.” It was used in an article on how to dress your daughter like a pop star. By Wednesday, the Facebook apology had attracted hundreds of comments, many condemning Hoeke but some saying the reaction was overblown.

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