The Music Mix Music news, reviews, albums, concerts, and downloads

Tag: Rock (91-100 of 558)

The eternal appeal of 311, the '90s bro-band that never burned out

I remember the jacket: a wide-lapeled, three-quarter length brown leather “pimp” coat which, in the mid-’90s, when I saw frosted-tipped 311 frontman Nick Hexum wearing it onstage, represented the ne plus ultra of vintage-store finds. At that time I wore my own statement piece, one perhaps even more emblematic of the era—a 311 t-shirt that hijacked a famous corporate logo (I don’t recall which one). Or maybe my older brother owned the logo shirt. It’s him who, before we went with his friends to see 311 play that night in Providence, wondered whether he should start wearing his wallet chain again.

I describe these fleeting fashions and fugitive memories because 311—the Omaha fivesome who moved to L.A. in 1991 and strung together rap-rock, reggae-pop, and allusions to Aleister Crowley for a stoned-romantic brand of Californication—have a new single, “Five of Everything,” and their 11th album, Stereolithic, coming on March 11. Which will also mark the fourteenth annual concert event known as “311 Day.” Add to these evocative figures the PR data on their last album—it entered the album chart at number 7, becoming their eighth straight top 10 debut—and you see that instead of receding with the ’90s in a haze of hydroponic smoke, the band have taken the “do what thou wilt” credo deep into the new age of carry-out cannabis.

READ FULL STORY

Blondie says 'Nyet' to Sochi - Debbie Harry and co. reject invitation to perform at the Olympics

Sorry, Olympics visitors, but you will not be able to shout along to a live version of “Rip Her to Shreds” during your stay in Sochi.

Blondie frontwoman Debbie Harry took to Twitter over the weekend to post the offer the group received from Red Rocks Festival Sochi, a free concert event scheduled for this Thursday at Sochi Medals Plaza. According to the document, Blondie would have been paid a five-figure fee for a 45 minute set, but Harry rejected the opportunity by scrawling, “PASS — HUMAN RIGHTS” over it.

Harry and her bandmates have joined ranks with the likes of Madonna, Elton John, and the myriad artists,  who stood up at last week’s Amnesty International concert in Brooklyn to speak out against Russia’s institutional treatment of minorities, specifically those in the LGBT community.

Blondie was last seen ringing in the new year with Ryan Seacrest in Times Square. The 2014 Winter Olympics launched last week and will seemingly continue unabated until the end of time.

Shaun White's iPod: Jay Z, Black Lips, and David Bowie provide Olympic inspiration

He may have just withdrawn from the inaugural Olympic Slope Style event in Sochi, but two-time gold medalist Shaun White will still need musical motivation to drive him to a third gold in the Halfpipe.

For his third and final Olympics, the 27-year-old snowboarder and guitarist for Bad Things has been tapping into Jay Z, the Black Lips, and David Bowie to get him amped for the Games, which kick off tomorrow (though White’s halfpipe competition won’t be until February 10). He opened up his Olympic playlist for EW.

Jay Z, “My First Song”
“I’m going to the Olympics for the third time, and I’m trying to find that motivation to still continue in something like this. Jay talks about treating everything like it’s your first, or like it’s the last time you’re ever gonna do it. I really like that. You gotta treat it like, dig deep and find that reason you really wanted it in the first place. He goes on some funny rant at the end, like ‘S—, I’mma go golfing,’ like, what he’s gonna do after? And I’m like, ‘Cool, that’s my whole deal too’ — just put my head down and work hard like I did when I was younger and good things will come from that. I’m not much of a golfer, but I get the reference.” READ FULL STORY

If the Red Hot Chili Peppers weren't plugged in during the Super Bowl, does it matter?

Sunday night’s Super Bowl Halftime Show with Bruno Mars and the Red Hot Chili Peppers was reasonably entertaining, if unremarkable. Still, that didn’t stop it from being the most watched halftime show in history, beating out the numbers for more memorable performances by Madonna and Beyoncé.

Inevitably, close watchers of the broadcast noticed that neither Flea’s bass nor Josh Klinghoffer’s guitar appeared to be plugged in to anything. It was first pointed out by Living Colour guitarist Vernon Reid, who tweeted “That guitar is plugged into NOTHING” during the show. Photo evidence seemed to back him up, and though there was a stirring online debate about whether or not the Peppers could have been using wireless transmitters, Reid set the world straight. “There were NO wireless packs,” he tweeted. “Which would be a nightmare given the huge amount of wireless channels. They leave NOTHING to chance.”

His last point is the most pertinent: For a show in an outdoor stadium that size, and with so little time to turn everything around, prerecording in those settings has been the norm for decades. Vocals are a little easier to deal with, but it’s near-impossible to wrangle multiple instruments thanks to delay and echo-related complications. (People were also pointing out that Mars’ horn section wasn’t actually making noise either.) And it’s not like a completely different group of musicians recorded “Give It Away” for the Chili Peppers—in these situations, they usually record a version live to perform to.

Not that there’s been much outrage over the revelation that Flea was playing air bass. Remember when Beyoncé lip-synced “The Star-Spangled Banner” and everybody lost their minds? READ FULL STORY

Ingrid Michaelson plays her own Robert Palmer in new 'Girls Chase Boys' video - EXCLUSIVE PREMIERE

Ingrid-Michaelson.jpg

Singer-songwriter Ingrid Michaelson famously channeled a handful of classic rock stars  — including John Lennon, David Bowie, and Gene Simmons — in her 2012 clip for “Blood Brothers.” Now, for her new single “Girls Chase Boys,” she’s tipping her Patrick Nagel-painted hat to Robert Palmer.

The track is the first single from Michaelson’s brand new album Lights Out, due April 15. It’s a darker, more complicated side of the singer, she told EW: “‘Girls Chase Boys’ started out as a break up song but took on a deeper meaning as I continued writing. More than just being about my experience, its focus shifted to include the idea that, no matter who or how we love, we are all the same. The video takes that idea one step further, and attempts to turn stereotypical gender roles on their head. Girls don’t exclusively chase boys. We all know this. We all chase each other and in the end we are all chasing after the same thing: love.”

The clip is a gender-tweaking homage to Palmer’s  1988 video for “Simply Irresistible,” one of the more iconic clips of the decade. Check it out below: READ FULL STORY

On the Scene at the Howard Stern Birthday Bash

The Hammerstein Ballroom was originally constructed as an opera house and, in the eyes of founder Oscar Hammerstein, was meant to return a stuffy art form back to the people. On Friday night, a reversal occurred when Howard Stern, the definitive American radio personality for two generations, found his populist form elevated by a staggering stream of boldfaced names who paid tribute to him on the occasion of his 60th birthday.

Hosted and broadcast live via SiriusXM, Stern’s home for the last eight years, the Howard Stern Birthday Bash filled the Ballroom with famous faces and crowded its stage with comedians, musicians, and fellow broadcasters to celebrate Stern’s life and career, which has evolved from the juvenile rabble-rousing of his early terrestrial life to the statelier (but still brutally honest) conversations of the satellite era. Sure, the Wack Pack was in the building, but so was Robert Downey, Jr., Larry King, Barbara Walters, Harvey Weinstein, and Hilary Swank — and that was mostly at one table.  READ FULL STORY

Bask in the brilliance of the Nine Inch Nails parody 'This Is A Trent Reznor Song'

If imitation is the sincerest form of flattery, then Frederick Scott just paid Nine Inch Nails mastermind Trent Reznor the ultimate compliment.

Scott’s “This Is a Trent Reznor Song” is a spot-on homage to Reznor, who Scott described on Twitter as “one of my musical heroes.” In a track that ends up sounding an awful lot like Reznor’s Hesitation Marks single “Came Back Haunted,” Scott narrates the construction of a typical NIN tune, pointing out the esoteric percussion, weird noises, and the escalating nature of Reznor’s voice.

Anybody who has spent quality time with The Downward Spiral or The Fragile will understand. Listen below: READ FULL STORY

Katy Perry, Lorde, Imagine Dragons all get early post-Grammys sales boosts

If Katy Perry is actually a witch, then she certainly cast the right spell on music buyers.

Though her performance during the 56th Annual Grammy Awards was met with mixed reviews (EW loved it; the rest of the Internet was more lukewarm), Perry has the biggest post-Grammys sales bump so far.

We won’t know which albums got the biggest spikes until next week (the sales numbers close Sunday night), though a number of songs—including Perry’s “Dark Horse,” featuring rapper Juicy J—have already seen noticeable increases following their appearance on Sunday night’s show.

“Dark Horse” has been on top of the iTunes singles chart all week, and it’s the number one song on Billboard‘s Digital Songs chart (which includes Monday’s sales) this week. It sold 294,000 downloads last week, up 12 percent from last week’s tally. That boost was enough to push “Dark Horse” into the number one spot on the Billboard Hot 100, which is Perry’s ninth trip to that plateau.

Other big gainers on the Billboard Digital Songs chart include Daft Punk’s “Get Lucky” (up 206 percent), John Legend’s “All Of Me” (a 110 percent gain), and Pink & Nate Ruess’ “Just Give Me a Reason” (a 122 percent boost). Imagine Dragons also got a jolt with the release of the Kendrick Lamar-assisted remix of “Radioactive,” which helped the song to a 58 percent sales gain.

It’ll be interesting to see who will see their album sales boosted by the Grammys, which were watched by nearly 30 million people. Daft Punk’s Random Access Memories will almost certainly see a giant bounce, as should Lorde’s Pure Heroine, Kacey Musgraves’ Same Trailer, Different Park, and Macklemore & Ryan Lewis’ The Heist. However, it’s entirely possible the biggest winner of the post-Grammys week could be 2014 Grammy Nominees, the compilation album that debuted at number two with 59,000 copies sold.

What music did you buy in the wake of the Grammys? Let us know in the comments.

Motley Crue call it quits (again), announce gigantic farewell tour

They say there are only two retirements that never stick: Rock stars and professional wrestlers.

OK, nobody actually says that, but it’s more or less true. The call of the road and the brightness of the lights is often too much to keep aging stars away, which is why we’re still watching Ozzy Osbourne play Black Sabbath songs and Ric Flair deliver chops.

The latest band to declare retirement is Motley Crue, who just announced that they were hanging it up following a massive farewell tour that is scheduled to kick off July 2 and run on and off for the next two years. Dubbed The Final Tour, the trek is signed in blood (kind of): Earlier today in Los Angeles, the group — Vince Neil, Mick Mars, Nikki Sixx, and Tommy Lee — signed a formal “Cessation of Touring Agreement” that says they are officially forbidden from hitting the road as of the end of 2015. “Everything must come to an end,” Lee said at the press conference announcing the tour. “We always had a vision of going out with a big f—ing bang and not playing county fairs and clubs with one or two original band members. Our job here is done!”

Of course, this isn’t the first time Motley Crue have called it quits. READ FULL STORY

Grammys Winner Snubs and Surprises: Led Zeppelin and Black Sabbath steal, Kanye West and Kendrick Lamar get robbed

Last night, there was a tweet floating around the Internet that noted that Macklemore & Ryan Lewis had already amassed four Grammys and legendary artists like Tupac, Notorious B.I.G., Jimi Hendrix, the Beach Boys, and the Who have a grand total of zero among them.

The suggestion, of course, is that possessing an  an armload of Academy-issued gold sippy cups doesn’t necessarily have any real correlation to artistic greatness.

Still, that doesn’t mean there weren’t some head-scratching decisions and maddening snubs during last night’s telecast, most of which happened off-camera. As surprised as Taylor Swift was that Daft Punk won the Grammy for Album of the Year last night, the French duo’s victory can’t entirely be called an upset; though there were some mild surprises among the awards handed out live at the 56th Annual Grammy Awards, there wasn’t a single on-camera score that could be considered a true surprise of snub.

Luckily, there were dozens more awards given out before the televised show even started, and there lives a parade of outrage.  READ FULL STORY

Latest Videos in Music

Advertisement

From Our Partners

TV Recaps

Powered by WordPress.com VIP