Summer festival season has only just begun, but it’s already time to start thinking about where you’re going to binge on music this fall. You can start with Slim Shady himself, who is the just-announced headliner at the annual Austin City Limits Festival.
Tag: Rock (61-70 of 554)
Record Store Day 2014 Roundup: Reviews and samples of new stuff by Bruce Springsteen, Jack White, and the glorious return of Veruca Salt
Another Record Store Day is in the books, and based on preliminary statistics and the number of photos of crowded indie shops that popped up all over Instagram on Saturday, it appears to be bigger than ever.
This year’s crop of exclusive vinyl releases featured several big-time reissues or first vinyl appearances of classic albums, but there were also a handful of newly minted pieces of music unveiled via Saturday’s festivities. Bruce Springsteen released a four-song salvo, Jack White set a record with a record, and Veruca Salt announced their return via two new tracks. Check out the reviews of these new tunes from big-name artists below.
The Who are celebrating their 50th anniversary this year the way only a rock band can — with a world tour. Dates will start in the U.K. around Christmas and then come to North America in 2015. Pete Townshend tells Billboard, “I’m not crazy about going on the road, but I’m in good shape and once I start doing it — and I’m still very good at it — I’ll take some pleasure from it.” READ FULL STORY
In response to a week-long swirl of retirement rumors and speculation on the health of its members, AC/DC has made an official statement:
After forty years of life dedicated to AC/DC, guitarist and founding member Malcolm Young is taking a break from the band due to ill health. Malcolm would like to thank the group’s diehard legions of fans worldwide for their never-ending love and support. In light of this news, AC/DC asks that Malcolm and his family’s privacy be respected during this time. The band will continue to make music. READ FULL STORY
Next Saturday, April 19, is Record Store Day, the annual celebration of independent music retailers and the glory of vinyl.
One of the 400 exclusive special releases belongs to breakout Brit Jake Bugg, who is releasing the EP Live at Silver Platters. It’s a four-track collection of unplugged tunes performed at Seattle’s Silver Platters, including an acoustic rendition of his hit “Lightning Bolt.” Listen here:
The Rock and Roll Hall of Fame induction ceremony is tonight at the Barclays Center in Brooklyn, which means that New York is overrun with rock legends. Jimmy Fallon has been welcoming new members of the HOF on his show all week, and last night he sat down with Nirvana members Dave Grohl and Krist Novoselic to talk about Kurt Cobain, the band’s origins, and the psychosis required to play in front of 350,000 people.
Twenty years ago, we lost Kurt Cobain. Few singular stars were as deeply influential as the Nirvana frontman, who smashed apart the otherness of the rock star persona and made it a more egalitarian pursuit.
No two Nirvana albums were ever alike, and it seemed like Cobain’s musical horizons were continuing to expand when he left us. His approach to singing, his songwriting style, and his band’s shifting dynamics so permeated rock radio that there seemed to be an entire subgenre of hit-making bands (Bush, Silverchair, Sponge, and the like) who seemed to exist solely as Nirvana avatars. READ FULL STORY
Kurt Cobain’s old home sits in Seattle’s quiet Denny-Blaine neighborhood, a posh place with water views where people probably kept to themselves even before an iconic rock star died in their midst. The room over the garage where the Nirvana singer’s body was found on April 8, 1994, after he ended his life at 27 with a gunshot wound to the head, is now gone, and the house is isolated by a large fence, an imposing gate, and some Middle-earth-level greenery growing up around it, so fans tend to stick to Viretta Park next door. There, a pair of benches have acted as a standing tribute to Cobain, with decades’ worth of messages etched into the wood by grunge pilgrims from around the world. I’ve made this trek myself multiple times, and as I sit on one of the benches, the same question that has occupied alt-rock devotees for the past 20 years tugs at me: Had he not died so young, what would Kurt Cobain’s music sound like now?
At this point in my career as a guy who writes about music, I have crossed off almost everything on my bucket list or allowed for the fact that it is impossible to do some of those things. For example, I always wanted to see Metallica—one of my favorite bands of all time—in as small a room as possible, and I did in fact get to do that last year. On the other hand, I allow that my window for interviewing David Bowie has almost certainly closed (and my chance to talk to Kurt Cobain was gone before I ever got started).
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