So much for waiting until Monday: Taylor Swift’s 1989 has leaked. READ FULL STORY
Tag: Taylor Swift (21-30 of 264)
Taylor Week continues: The “Welcome to New York” singer unveiled the track list for 1989 Wednesday on Twitter.
The album includes already-released songs like “Shake It Off” and “Out of the Woods,” along with some unheard tracks with simplistic titles including “Style,” a song that couldn’t possibly be about her ex-beau Harry Styles, and “This Love,” which may or may not be a Maroon 5 cover. (Hey, she is appearing on The Voice this season.) READ FULL STORY
The lead-up to Taylor Swift’s 1989 keeps moving along, now with a preview of another new song lodged in a Target commercial for the deluxe edition of the album.
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Kander and Ebb wrote “New York, New York”; Billy Joel crooned “New York State of Mind”; Jay Z dropped “Empire State of Mind.” Now, Taylor Swift is adding her take to the canon of songs about the city that never sleeps.
On Monday morning, Swift previewed “Welcome to New York,” the first song off her album 1989, which is, yes, about moving to New York.
By now you probably know that Meghan Trainor is “All About That Bass.” The irresistible hit single, a body-positive polemic dolled up in a poodle skirt, has turned the Nashville wannabe into a pop star in four months flat: It’s notched more than 120 million views on YouTube, and has spent five weeks and counting perched atop the Billboard Hot 100. Not bad for a 20-year-old from Nantucket, Mass., who moved south to write songs. “I don’t feel like a famous pop star yet,” she tells EW. “I still get super nervous. I’m like, ‘Fake it till you make it!’ Or ‘Pretend you’re Beyoncé right now!’ That almost works.”
If she keeps this up, it won’t be long before up-and-comers are pretending they’re Meghan Trainor. But until then, the singer has a simple request: Can she please get paid now?
EW: “All About That Bass” is No. 1 in 25 countries. Have you splurged on anything yet?
MEGHAN TRAINOR: I mean, you don’t see money at first. I’m like, “Where the money is?” I still have the same exact bank account.
How did the line “I’m all about that bass, no treble” originally come about?
[Producer Kevin Kadish] had written “Bass, no treble,” and I was in my phase of saying, “I’m all about that Mexican food!” [Laughs] That was my slang. So I was like, “I’m all about that bass, no treble.” He said, “I can’t figure out what to relate it with.” And I was like, “Booty!” Once we started writing it, I remember his smile when he said “skinny bitches.” That’s when we looked at each other like, “We’ll never make a dime off this, but I’m fine with that.”
You wanted to sell it to another artist?
We pitched it as songwriters, and no one wanted it. The only one who liked it, I think, was a person on Beyoncé’s team. But it couldn’t work for her, because… obvious reasons.
What do you mean?
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After nine weeks of climbing, Meghan Trainor’s breakout single “All About That Bass” has finally reached the top spot on the Hot 100, moving up from No. 2 last week. It’s a big deal for a promising young artist and one of the more charming contenders for Song of Summer title, but the bigger news might be who she beat for the position: Taylor Swift, whose “Shake It Off” slips to No. 2 after just two weeks at No. 1.
“Shake” easily debuted there thanks to a half million in sales and 50 million YouTube plays in its first week out, but its reign atop the chart was almost noticeably brief compared to other recent number ones. Magic!’s “Rude” spent six straight weeks there before “Shake” knocked it out, and Iggy Azalea and Charli XCX’s “Fancy” spent seven. Swift’s sworn enemy Katy Perry spent four weeks at No. 1 at the beginning of the year with “Dark Horse,” while Pharrell’s colossal “Happy” held the position for an impressive 10 weeks. Even John Legend’s milquetoast “All of Me” held the spot for a week longer than “Shake.”
As predicted, Taylor Swift’s “Shake It Off” debuted at number one on the Hot 100 this week after racking up over 500 thousand copies sold and 50 million YouTube plays since it dropped 10 days ago, not to mention the fact that it’s dominating pop radio. Swift’s also number one on Billboard‘s new Artist 100 chart, which combines performance across the Hot 100, the Billboard 200 album chart, and the Internet-centric Social 50 chart.
Also as expected, Nicki Minaj’s “Anaconda” is sitting right below it, having leapt from number 39 after the release of its thoroughly surreal and deeply salacious video. Despite the fact that “Anaconda”‘s visual has blasted “Shake” out of the water in terms of virality, Nicki’s only at number three on the Artist 100, right behind Wiz Khalifa.
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