Tag: The Avett Brothers (1-9 of 9)

Dec 19 2012 09:51 AM ET

Best and Worst 2012: The year in country music

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Image Credit: Jason Merritt/Getty Images

Ah, what a year in music it’s been! Here at EW, we’ve been in retrospective overdrive, looking back at the best and worst albums, singles, lyrics, and soundtracks that 2012 had to offer.

But since I’m already primed to hop onto a plane and head home down South for the holidays, I thought it might be fun to take let my music tastes do the same and take a deep-dive into the country music world. Here’s my take on the year that was — country music style:

BEST: Little Big Town The hard-working quartet has always had the respect of Nashville for their on-point harmonies and sumptuous live performances, so it was nice to see them find true mainstream success in 2012. “Pontoon” was a fresh, tongue-in-cheek summer smash that motorboated all the way to No. 1.

BEST: Eric Church With a sand-papery voice, a trademark baseball cap (which have now officially replaced cowboy hats), a drink in his hand, and some genuinely great melodies, Eric Church joined country’s A-list this year. “Springsteen” was a wide-open crossover hit that gave his confidently country disc Chief the mainstream appeal it deserved. Of course, it didn’t hurt that Chief won the CMA Award for Album of the Year, either. READ FULL STORY »

Dec 6 2012 05:42 PM ET

Grammy Nominations 2013: Your water cooler cheat sheet!

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Image Credit: Kitra Cahana/Getty Images

The Grammy nominations are in — and by now, we hope you’ve had time to do the following: Read the full list of major nominees, peruse Kyle Anderson’s take on the biggest snubs and surprises, and enjoy Scooter Braun’s Twitter tantrum.

But if all that’s not enough for you, we’ve cobbled together some interesting trends about this year’s crop of Grammy nominees — so even if you’re not a Grammys aficionado, you can pretend to be one around the office.

* The Best Album category this year is oddly rock-heavy With the notable exception of Frank Ocean’s Channel Orange, the Best Album category is dominated by rock acts. But whereas the category (until very recently) used to feature the likes of Bruce Springsteen, Paul McCartney, and Robert Plant and Allison Krauss, it’s now honoring a newer crop of rockers.

Or, as one of my co-workers put it, “It’s like the Grammy voters have replaced their old fogies with young fogies.” The inclusion of The Black Keys’ El Camino and Jack White’s Blunderbuss feels especially odd, since both of those acts’ previous albums were substantially better than those efforts. (Though the White Stripes’ excellent 2004 release Elephant did get a nod that year.) Add in Mumford & Sons’s Babel and fun.’s Some Nights, and you’ve got a very dude-ish, very guitar-heavy category. READ FULL STORY »

Oct 17 2012 01:00 PM ET

How Mumford & Sons and Taylor Swift are causing a seismic shift in the music industry

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Image Credit: Kitra Cahana/Getty Images

The biggest debut of 2012 doesn’t belong to a glossy pop act like One Direction or Justin Bieber.

Sure, those boys have hordes of teenage girls ready to download their music at the drop of a tweet, but they’ve got nothing on the scruffy gents of Mumford & Sons, whose new disc, Babel sold 600,000 copies in its first seven days. (The next-best opening? Bieber’s Believe, with 374,000 in week 1.)

Babel‘s success (it has now led the chart for three weeks and sold 865,000 copies total) is indicative of a larger shift within the music industry. As pop music morphs into a glow-stick dance party, country acts have adopted the traditional pop sound. That leaves Mumford and the burgeoning Americana and folk genres (think acoustic guitars, banjos, and innumerable fitted tweed vests) to fill the country void. Did you get all that? Allow us to break it down. READ FULL STORY »

Sep 29 2012 12:00 PM ET

The Avett Brothers on 'The Carpenter,' Gap ads, faith, and how cancer has shaped their songs

The Avett Brothers may be one of the hottest acts in the music industry right now — their album The Carpenter debuted at No. 4 on the Billboard 200 last week — but that doesn’t mean they have an entourage cleaning up after them.

Empty pizza boxes and orange peels were strewn throughout their room at New York City’s Dream Hotel — which apparently leaves oranges on your pillows — where I sat down with Scott and Seth Avett (left and right, respectively) as well as bassist Bob Crawford (center) to chat about their new album, the currently hot state of Americana music, and the driving force behind their songs.

On a recent rainy Tuesday afternoon, the day before the band performed on Late Night with Jimmy Fallon, the three gents crowded onto the end of one of their hotel room’s unmade beds to talk about their long road to stardom, the changing face of the industry, and why Warrior is the best movie ever.

Below, read the full conversation, and at the end of the interview, check out an exclusive video of the Avett Brothers breaking down the lyrics of their album closer “Life.” READ FULL STORY »

Sep 26 2012 01:45 PM ET

Album Sales: Pink scores her first No. 1, Kanye rides in second -- but Carly Rae Jepsen's 'Kiss' is a miss

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Image Credit: Andrew MacPherson

A dozen years into her multiplatinum career, Pink has scored her first ever(!) number one album this week with her new disc The Truth About Love, which topped the Billboard 200 with sales of 280,000.

Driven by the success of her Top 5 single “Blow Me (One Last Kiss)” — and it’s lippy VMA performanceTruth became Pink’s sixth straight Top 10 debut. Still, until today, her previous chart high came with the 2008 set Funhouse, which debuted at No. 2.

Pink is that rare breed of pop star — the kind that can sell both singles and albums. Not so for everyone on this week’s list though: READ FULL STORY »

Sep 20 2012 04:25 PM ET

On the Charts: Dave Matthews Band, Little Big Town, and The Avett Brothers start strong

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Image Credit: C Flanigan/WireImage

The Dave Matthews Band’s new album Away from the World easily debuted atop the Billboard 200 this week, shifting 266,000 copies.

By debuting at No. 1, DMB became the first group in history to launch six straight albums in the top spot, though it should be noted that Away started substantially smaller than their 2009 set Big Whiskey and the GrooGrux King, which moved 424,000 units in its first week.

Still, the alt-rock jam band makes the bulk its money on the road — and they’ve clearly got loyal fans.

Time will tell how resilient the DMB record ends up being, but for now, let’s check out the week’s other chart winners and losers: READ FULL STORY »

Dec 1 2011 02:56 PM ET

'CMT Artists of the Year' special set list: No Hank Williams Jr., but here's what you will see

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Image Credit: Rick Diamond/Getty Images

By now, country fans have heard that earlier this week, Hank Williams Jr. left the stage while taping a duet with Jason Aldean for the CMT Artists of the Year special because, as Williams said in a statement to Country Weekly, ”I’ve heard people mess up my songs and screw up Daddy’s songs. I was here to honor Jason, a kid I really like. When I walked out there, it didn’t feel right, it didn’t sound right. I didn’t want to disrespect him.” CMT confirms Aldean then performed a version of his hit “Tattoos on This Town” solo, which is what viewers will see when the special honoring Aldean, Kenny Chesney, Lady Antebellum, Brad Paisley, and Taylor Swift premieres Dec. 13. The final set list:

Jason Aldean: “Tattoos on This Town”
The All-American Rejects (honoring Taylor Swift): “Mean”/”Gives You Hell” medley
Lady Antebellum: “Dancin’ Away With My Heart”
Gavin DeGraw (honoring Kenny Chesney): “Somewhere With You”
Brad Paisley with Joe Walsh: “Life’s Been Good To Me”/”Camouflage” medley
The Avett Brothers: “Laundry Room”

Read more:
ESPN yanks Hank Williams Jr. song permanently from ‘Monday Night Football’
Hank Williams Jr. pulled from ESPN after comparing Obama to Hitler
Obama is Hitler, according to Hank Williams Jr.

Oct 18 2011 08:44 AM ET

Dixie Chicks headline concert for Texas wildfires relief

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Image Credit: Erich Schlegel/AP Images

Dixie Chicks lead singer Natalie Maines told a thunderous crowd Monday night that “there was zero hesitation” when the band was asked to perform with fellow country stars to raise money for victims of recent wildfires in her home state of Texas. She and her band mates joined Willie Nelson, George Strait and other musicians during a mega-concert in Austin that raised more than $500,000. A fire that started Sept. 4 in Central Texas’ Bastrop County destroyed at least 1,500 homes and killed two people, marking the most devastating of the numerous fires that have scorched about 6,000 square miles in Texas in the last year.

Maines told the crowd she was worried that without homes, “you all might not look lovely.” But she told them they all looked fantastic. “When they called us to do this show, there was zero hesitation,” she said. “You can take the girl out of Texas, but you can’t take Texas out of the girl.” READ FULL STORY »

Oct 14 2011 06:33 PM ET

Americana Music Awards: Avett Brothers, Mumford and Sons, Robert Plant take home top honors

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Image Credit: Erika Goldring/American Music Assoication

Ever since the diamond-selling O Brother, Where Art Thou? soundtrack exploded in 2001, acoustic Americana acts have been building fan bases and selling albums without much help from mainstream radio, and the genre has quietly become a major force in the music industry over the past decade.

Just look at 2011! Banjo-flaunting bands like Mumford & Sons, The Avett Brothers (pictured), The Civil Wars, and Wilco have all enjoyed strong and enduring album sales this year. And the boys of Mumford and Avett got to perform with Bob Dylan at February’s Grammy Awards, which included the category “Best Americana Album” for the first time ever.

Merriam-Webster even created a musical definition for “Americana” in its esteemed dictionary which reads: “a genre of American music having roots in early folk and country music.”

Last night, the genre’s very best met in Nashville at the famous Ryman Auditorium for the 10th Annual Americana Honors and Awards Show, which celebrates all the rootsy musicians leading this folk revolution. The show, which you can listen to in full over on NPR, was one big lovefest. READ FULL STORY »

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