Tag: Things That Are Canadian (31-40 of 71)

Feb 3 2012 06:44 PM ET

Drake sued by ex-girlfriend for including voicemail in 'Marvin's Room'

drake

Image Credit: Jason LaVeris/FilmMagic.com

What goes into the making of a good Drake song? Lots of things. Confessional lyrics, for example, a good beat, and probably an ample supply of cardigan sweaters.

Oh, and in the case of “Marvin’s Room,” an ex-girlfriend’s voicemail message.

That ex is now revealing herself to be Ericka Lee, and she’s suing the rapper to a bid to get partial songwriting credit (read: royalties).

According to the suit, Drizzy and Lee were creative partners, often co-writing songs and poems. “Plaintiff’s contribution is highly significant to the overall work,” the official complaint, filed in California, reads. One contribution they view as significant is her voice; the suit alleges that Drake in fact gave Lee vocal credit in the form of “Syren Lyric Muse.” The audio is now registered by the parties in the U.S. Copyright Office.

The suit also claims that Drake sent Lee texts saying things like ”U basically made that song” and “It’s s–t without you.” And in another one of these messages, Drake apparently said he’d give the ex 2% of the publishing royalties? Which sounds like a pretty weird thing to discuss via text, but Drake’s a weird dude, so who knows.

It’s a strange situation all around, and it’ll be interesting to see how it develops. Really, though, it was a long time coming; given how often the guy calls out his exes by name on his albums, you’d imagine at least a few of them would be pretty peeved.

Anyway, until all of this gets sorted out, give the track another listen to hear exactly what Lee’s demanding compensation for:

READ FULL STORY »

Dec 28 2011 02:05 PM ET

Mark Wahlberg wants to make Justin Bieber a movie star

justin-bieber

Image Credit: Ray Mickshaw/Getty Images

Mark Wahlberg would really prefer the world not remember him for inspiring sweet sensations at the dawn of his career. Remarkably, he has mostly accomplished that feat over the past decade and a half — carving out a major career for himself as an actor (though he’d probably rather be thought of as Mickey Ward than the guy who figures out that plants are killing people).

Apparently, Wahlberg sees a similar future for Justin Bieber. In a recent conversation with MTV about his upcoming movie Contraband (whose trailer looks like one of the fake ones that runs before Tropic Thunder), Wahlberg talked about casting Bieber in a dramatic role in a future film that has something to do with basketball. The artist formerly known as Marky Mark says that he sees something in the Canadian pop pinup that let him know he can handle a dramatic role.

“I’m pretty intuitive,” Wahlberg explained. “I see the guy and spent time with him, and you see what he does and how he does it, and then you actually have a conversation with him, and it’s there.”

Wahlberg may have a point. READ FULL STORY »

Nov 22 2011 06:01 PM ET

Leonard Cohen announces first album of new material in eight years -- hear new music here

leonard_cohen

Image Credit: Lorca Cohen

Leonard Cohen puts out albums about as often as Thomas Pynchon guest judges on America’s Got Talent. But the singer-songwriter announced today on his official website that he will be releasing his first collection of new music in eight years on January 31.

Cohen’s twelfth studio album is called Old Ideas and ”poetically addresses some of the most profound questions of human existence — spirituality, love, sexuality, loss and death.”

The deep-voiced Canadian icon — and, lest a thousand warbling American Idol hopefuls forget, the original composer and singer of “Hallelujah” — has also released an album teaser in the form of the song “Show Me the Place,” which you can hear below (it’s available as an instant download to fans who pre-order the CD):

Read more:
Rumor Control: Simon Cowell ‘loves,’ but does not own the rights to, Leonard Cohen’s ‘Hallelujah’
Leonard Cohen at Madison Square Garden: The master at 75
Leonard Cohen collapses on stage
Live in London

Nov 16 2011 10:08 AM ET

Justin Bieber's paternity suit withdrawn

Justin-Bieber-snake

Image Credit: Jeff Kravitz/FilmMagic.com

It’s been an eventful month for Justin Bieber. He scored a chart-topping album with Under the Mistletoe and got to hang out with a Claymation penguin, but the bulk of his headlines were dominated by the paternity suit filed by a woman named Mariah Yeater. Her claim was that the 17-year-old Canadian pop sensation was the father of her child, and she intended to get the kind of support that can only be bought with proceeds from all those Never Say Never checks.

But we will no longer have to put up with “Baby”-related puns, as TMZ is reporting that Yeater’s lawyers have abandoned ship and that the suit has been withdrawn by the plaintiff. (At press time, Bieber’s representatives had not yet responded to a request for confirmation or comment.) If it’s true, that means that Bieber will not have to subject himself to the paternity test he pledged to take, which lets him keep his dignity but robs him of the chance to do that “I’m Not the Father!” dance on syndicated television.

It’s probably best that the whole scenario ended where it did, since Yeater was probably wading into a whole heap of trouble. Bieber’s camp had already pledged to come back with a suit of their own for defamation, which would have been a slam dunk. And even if we somehow wandered into one of the Fringe multi-verses and it turned out the paternity test was positive, Yeater would have opened herself up to criminal statutory rape charges. It was basically a no-win situation for her, and it’s a good thing she pulled out before anything got ugly.

With the suit behind him, Bieber can get back to the business of being a normal 17-year-old guy — you know, like screening movies in basketball arenas for his pop star girlfriend and singing for the President.

UPDATE: While the lawsuit has been withdrawn, the drama could continue. Yeater has retained new counsel and still believes that Bieber is the father. She will attempt to get a paternity test done outside of the court system. “The case is completely out of control and I don’t want something terrible to happen to my client or her child,” Yeater’s new lawyer Jeffrey Leving told a Chicago radio station. “My goal [is] to try and keep my client and her child out of the media.”

Read more on EW.com: 
Justin Bieber invited to appear on ‘Maury’, and other things that are never going to happen
Justin Bieber’s ‘Under The Mistletoe’ debuts at No. 1; Wale, Susan Boyle, and Miranda Lambert follow
Justin Bieber gets molded in clay for ‘Santa Claus Is Coming to Town’ video: Watch it here!

Nov 15 2011 01:50 PM ET

Drake's 'Take Care': Read the EW review

drake

One of the most hotly-anticipated albums of the fall hits store shelves both real and virtual today. Drake’s Take Care is already the top-selling album on iTunes and promises to find its way to the head of the Billboard chart despite its high-profile leak last week.

The walk-up to Take Care has been a little unusual, as a handful of the tracks from the album have been unleashed for free online in the months prior to its release (though a handful of those tracks didn’t end up on the final version of the album). It primed listeners for what was to come, though the results were even more dramatic than even first expected.

Check out the EW review of Take Care, a version of which will be appearing in the issue of the magazine hitting newsstands this Friday.

Drake
Take Care
(Young Money/Cash Money/Universal Republic)

On his platinum-selling 2010 debut, Thank Me Later, Drake managed to blend his special brand of understated Canadian ­swagger with surprisingly vulnerable ­reflections on the opposite sex. It didn’t reinvent the wheels of steel, but it acted as both a statement of his vast potential and a titillating wake-up call for hip-hop.

Unfortunately, his second album, Take Care—the bulk of which made its way online over the past several months via individual leaks by Drake himself—spends most of its 17 tracks hitting the snooze button. READ FULL STORY »

Nov 8 2011 03:19 PM ET

Justin Bieber gets molded in clay for 'Santa Claus Is Coming to Town' video: Watch it here!

If you’ve been in any sort of retail establishment over the past week, you know that the push towards Christmas is already in full swing.

The decorations are out, the sales are on, and the Canadian pop stars are churning out charming music videos that recall classic holiday specials.

OK, so that third thing is new this year. Still, if you think Justin Bieber’s just-released Yuletide collection Under the Mistletoe isn’t going to be a cornerstone of our collective gingerbread-flavored memories for decades to come, then you get a fat lump of coal in your stocking.

The album is expected to debut at the top of the Billboard album chart (which gets published tomorrow), and Bieber already dropped the record’s second video. The first was for the cool, Christmas-sexy “Mistletoe,” but this one is old school in more ways than one. (As an aside, “Christmas-sexy” is the one of the most upsetting made-up adjectives ever unleashed on this blog, second only to “Bieberotic.”)

“Santa Claus Is Coming to Town” drops the Biebs into the universe of the classic Rankin-Bass television special Santa Claus Is Comin’ to Town. Many reindeer games ensue and drumming penguins take center stage. Pour yourself some early eggnog and watch the clip below: READ FULL STORY »

Oct 28 2011 01:26 PM ET

Justin Bieber's manager compares singer to Beatles

Justin-Bieber

Image Credit: Dario Leon/AFP/Getty Images

Justin Bieber‘s manager Scooter Braun has compared the Canadian singer to the Beatles.

“I don’t want to draw comparisons,” he is quoted as saying by Billboard magazine, “but there was a band during the British Invasion that had girls screaming at them. I think you know who I’m talking about.”

READ FULL STORY »

Oct 18 2011 09:01 PM ET

Justin Bieber's snow- and smooch-filled 'Mistletoe' video debuts: Watch it here!

The vocals for Justin Bieber’s much-hyped Christmas single “Mistletoe” hit the internets yesterday, and today comes the visuals! That’s right, the video for Bieber’s light and airy, Jack Johnson-esque holiday ditty have just debuted.

The concept for the clip is simple: It’s Christmastime, snow is falling lightly but steadily, and Bieber is romancing a girl who’s not Selena Gomez. The only problem is that yet another gal pal — an old flame maybe? All that’s clear is that this dude is popular — keeps interrupting their business of teenage dating, which mostly amounts to coffee-drinking and longing glances. But this much can be said about Girl No. 2 Who’s Not Selena Gomez: Girl No. 1 Who’s Not Selena Gomez is none too pleased.

However, Girl No. 1 eventually finds herself — where else? — under the mistletoe with the follicullarly gifted singer and… Well, we won’t ruin it for you — although the headline to this post might have — but you can probably guess what happens under such a twig.

Check out all the Christmassey goodness here: READ FULL STORY »

Aug 30 2011 04:42 PM ET

Drake talks about making his upcoming album, growing as a rapper, and finding a mentor in Stevie Wonder: An EW Q&A

drake

Image Credit: Jason LaVeris/FilmMagic.com

The summer’s nearly over. But rap wiz Drake is feeling the heat. The deadline to submit the final version of his sophomore album, Take Care, is one month out. To say the least, it’s crunch time. Though, it seems he’s comfy in the clutch.

While holed up in his “quaint” Toronto studio recently, Drake checked in with EW to give us a progress report on the album, due on his birthday, October 24. Creatively, he says he’s “at a great place” and has a tons a recorded material to select from.

In the EW story on stands now, he gave us five recording rules to live by. Here, though, we get into the rest of the conversation—one that includes, among other things, how Jay-Z and Kanye West’s Watch the Throne album impacted his project, how his song with Stevie Wonder might make you shed a tear, and why you won’t hear him crying about his riches this go around.

ENTERTAINMENT WEEKLY: In what ways are you challenging yourself this album?
DRAKE: I push myself in a lot of aspects when I write a song. I write a piece and where most people would stop and say “Oh, that’s the hook right there,” I’ll move that to the first four bars of the verse and do a new hook. That makes the song easy to learn and catchy. That’s how I like to challenge myself. I’ll write something and everyone that’s around might be like “Oh that’s that hook right there.” And then I’ll write something better than that.

How many tracks are you shooting for here?
Obviously, I can only fit so many songs on a CD. So what I’m doing is there will be a Take Care physical edition in stores that’ll hopefully have 15 to 17 songs on it. Then I know a lot of people do deluxe editions. But since October 24 is a special day for me, I got, like, a Take Care birthday edition that I’m going to put on iTunes that will have extra songs. I really want to encourage people to be excited about the album releasing. I remember how excited a lot of artists used to make me. I used to want to buy the physical copy to see the artwork. And if there were any bonus tracks, I’d go find them. I’m definitely trying to cause some of that excitement. I hope people go get the songs off the birthday edition. It’s going to be great, man. I’ve got a wide array of music this time. I’m very excited.

Talk to me about your team. Who are the people who are helping guide you through the album?
There are about three or four major opinions that I respect. Obviously, the main one would be [engineer and producer] 40 (Noah Shebib). He’s worked with me every single night I’ve set foot in the studio since Comeback Season. He knows what I’m capable of and he’s not afraid to say “You can do that better” or “That’s it” or “I know you can write a better verse than that.” And Oliver El-Khatib, who has progressed from my friend who just used to advise me on how to dress to a guy who came up with the artwork for So Far Gone to, since he’s such a creative brain, that he’s become one of my managers. Then my DJ Future the Prince has a great ear for music. And probably the most important person in the equation is Hush, who is a friend of mine who grew up rapping in Toronto and he’s present every night. If anyone knows what I’m capable of, it’s Hush. We love rap the same way and we have the same exact ear. So I know he’s hearing what I’m hearing. I never take criticism personally from anyone. I love feedback, but especially when it comes to Hush. He understands rap probably better than anyone else I mentioned. And he’s a close friend of mine.

Rap has become like fast food. Fans want it quickly and a lot of it. It’s only been a year since Thank Me Later and your fans seem to be starving for Take Care. Do you think they’ve forgotten that artists need life experiences to craft their art? READ FULL STORY »

Aug 24 2011 01:20 PM ET

Tokyo Police Club kick off their covers project with Moby's 'Southside': Hear the EW exclusive premiere here!

Tokyo Police Club’s energetic, deeply melodic songs have made them indie heroes in their native Canada, and the sweetness of their songs earned them both an opening slot for Weezer and an appearance on an episode of Desperate Housewives.

Starting today, the quartet will leave their own songs behind in favor of covers for a unique project that also acts as an impressive challenge. They’re calling the whole thing 10 Songs, 10 Days, 10 Hours, 10 Years. Every day for the next 10 days, the band will enter Red Bull Studios in Los Angeles to rehearse a new tune for 10 hours, which will then be recorded for premiere the following day.

Each song is from the last decade, starting with a song from 2001 and ending with a track from 2010. Since the group is also partnering with Polaroid for this experiment, they’re taking snapshots of the process and also constructing cover art for each song.

The Music Mix is proud to help the band kick things off by premiering the first track in the series. For their opening salvo, they’ve taken on Moby’s “Southside,” which featured guest vocals by Gwen Stefani.

The band invited along fellow Canuck Morgan Kibby from M83 to provide extra vocals. It’s an excellent interpretation of a great song, and you can crank up the whole thing after the jump: READ FULL STORY »

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