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Tag: Trent Reznor (1-10 of 16)

'This Is A Trent Reznor Song' now has a Nine Inch Nails-biting video

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A few weeks ago, a dude named Frederick Scott tickled Nine Inch Nails fans with “This Is A Trent Reznor Song,” a loving tribute to the NIN frontman’s songwriting and performance tics. It was awesome, and one of the better musical parodies on the entirety of the Internet.

Now comes the next stage: Scott’s video for “This Is A Trent Reznor Song,” which borrows elements from the clips for Nine Inch Nails’ “Closer” and “The Hand That Feeds.” Once again Scott nails it, with the same kind of video effects from “The Hand That Feeds” and the commitment to spooky photography and weird lighting from the classic “Closer.”

It’s a little more outwardly funny than the song itself—the reaction shot Scott gives to the bottle of milk is particularly fantastic—but it still retains the same kind of reverence for Reznor’s work as the track.

Check out the video below. And while you’re at it, check out some of the clips from Nine Inch Nails’ Tension tour, one of the better live music experiences from last year.

 

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Nine Inch Nails' 'The Downward Spiral': 20 years of filth and fury

Though I had dipped in and out of MTV throughout the late ’80s and early ’90s, tuning in for the manic kitsch of Remote Controlthe clever smarm of The Half-Hour Comedy Hour, and the occasional Skid Row video, I didn’t really go all in on the network—and thus music videos—until 1994. I had become deeply invested in the narrative running through the third season of The Real World, which was the great San Francisco-based slobberknocker between Pedro and Puck. That show became the only thing people talked about during middle school study halls, so I immersed myself in one of the earliest revolutionary reality shows, and often stuck around for the videos.

I have vivid memories of sitting in the dark in my living room after my parents had gone to bed, watching clip after clip on the network (this was still the era when a Saturday night meant several consecutive hours of music videos shown under various umbrellas). A handful of those videos from that year stuck with me, simply because they were in such heavy rotation: Nirvana’s Unplugged performance of “All Apologies,” Smashing Pumpkins’ sci-fi clip for “Rocket,”  Soudgarden’s terrifying “Black Hole Sun,” and the Beastie Boys’ kinetic ’70s cop show homage “Sabotage.” (There was also the always-playing clip for Janet Jackson’s “Any Time, Any Place,” which I found boring at the time but now I find cripplingly sexy.)

But only one video really mattered to me, and that was Nine Inch Nails’ “Closer.” READ FULL STORY

Bask in the brilliance of the Nine Inch Nails parody 'This Is A Trent Reznor Song'

If imitation is the sincerest form of flattery, then Frederick Scott just paid Nine Inch Nails mastermind Trent Reznor the ultimate compliment.

Scott’s “This Is a Trent Reznor Song” is a spot-on homage to Reznor, who Scott described on Twitter as “one of my musical heroes.” In a track that ends up sounding an awful lot like Reznor’s Hesitation Marks single “Came Back Haunted,” Scott narrates the construction of a typical NIN tune, pointing out the esoteric percussion, weird noises, and the escalating nature of Reznor’s voice.

Anybody who has spent quality time with The Downward Spiral or The Fragile will understand. Listen below: READ FULL STORY

Nine Inch Nails' new single 'Came Back Haunted' arrives: Hear it here!

If you haven’t been getting enough Trent Reznor in your diet, you have no excuses.

Not only did Reznor’s band How to Destroy Angels put out a pretty great (and criminally overlooked) album earlier this year, Trent is also on the new Queens of the Stone Age album …Like Clockwork. But of course, most Reznorphiles were waiting for the official return of Nine Inch Nails, which has finally come in the form of the single “Came Back Haunted.”

The track, which surfaced last night as the download for those pre-ordering NIN’s new album Hesitation Marks, which will be released on September 3. Hesitation Marks is available for pre-order at iTunes now, and you can hear “Came Back Haunted” below.

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Nine Inch Nails announce new album, expand tour plans

You could say that Nine Inch Nails have been keeping fairly busy — they’ve announced summer tour dates, been mashed up with Carly Rae Jepsen, and oh yeah, someone won an Oscar — but now the Trent Reznor-helmed rock project are officially planning a new album.

Reznor said in a post on the Nine Inch Nails official web site that he has enjoyed writing film music (he scored The Girl With the Dragon Tattoo and The Social Network with bandmate Atticus Ross) and working on other projects outside the band, but now he is ready to get back to his core business.
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Today in Internet victory: This Carly Rae Jepsen/Nine Inch Nails mash-up

You thought you were finished with Carly Rae Jepsen’s “Call Me Maybe,” didn’t you?

One of 2012′s most parodied, lip-dubbed, covered tracks — which also happened to be no. 1 on EW’s year-end Singles list – was mashed-up seemingly ad infinitum.

But here’s one more version of “Call Me Maybe” to add to your definitive collection — chopped up in Satan’s own special sonic blender with Nine Inch Nails’ “Head Like a Hole” for a brand new track titled “Call Me a Hole.”

It’s credited to pomDeter (created on the suggestion of another genius called carly_rae_reznor), and it’s entirely possible it could end up being the best song of 2013. (Not really, but it is crazy-good.)

Listen below: READ FULL STORY

Trent Reznor announces new Nine Inch Nails tour

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For the first time in four years, Trent Reznor’s Nine Inch Nails will be heading out on tour.

The How to Destroy Angels rocker’s old band, however, will come with a new lineup, Pitchfork reports. Eric Avery of Jane’s Addiction, Adrian Belew of King Crimson, and Josh Eustis of Telefon Tel Aviv will be joining the new configuration, while old NIN pals like Alessandro Cortini and Ilan Rubin will also be tagging along.

According to a statement to Pitchfork from Reznor, the group will play some shows this summer (presumably on the festival circuit) and then being touring the States this fall stateside; his live run will continue into the next year on an international scale. “Calls were made to some friends, lots of new ideas were discussed, and a show was booked — which led to another, which somehow led to a lot of shows,” Reznor writes.

To an observer, all of this would suggest there’s a new Nine Inch Nails album on the way, perhaps in addition to the new music he’s planning for that Nine Inch Nails greatest-hits compilation.

But who knows! For now, all we have is the full statement from Reznor linked from the Nine Inch Nails website to go off of. The full text is here.

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Dave Grohl to host limited-run show on SiriusXM

Image Credit: Emmanuel Dunand/AFP/GettyImages

Dave Grohl’s ready to pay tribute to the recording studio that helped launch his career.

Starting on Thursday, the Foo Fighters frontman will host “Dave Grohl Presents Sound City,” a series of shows on SiriusXM that celebrate the output of California’s Sound City Studios. There are nine shows in total, each focusing on a different epoch in the studio’s history from 1970 to 2011.

“I’m grateful to SiriusXM for giving me the opportunity to share all this great music and to let people know what got me excited about Sound City in the first place,” Grohl said in a press release.

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Justin Timberlake writes a film score; how will he fare compared to other pop-star composers?

We already know that Justin Timberlake can sing, dance, and act in whimsical Saturday Night Live sketches. (Often he will do all three of those things at once.) But can he score?

JT will add another column to his résumé when he provides the music to the upcoming film The Devil and the Deep Blue Sea, which is being directed by Bill Purple and stars Chloe Moretz and Timberlake’s fiancée Jessica Biel. Production begins this fall, which should give Timberlake enough time to promote his forthcoming Coen Brothers picture Inside Llewyn Davis.

It’s a bold but logical step for the pop star turned ever-expanding hyphenate: He has worked with some of the best production minds in modern pop music, so he knows his way around a studio. Maybe he really could be the next Danny Elfman.

Of course, before he became Tim Burton’s musical muse, Elfman was a pop star himself, knocking out quirky New Wave with Oingo Boingo. And he’s hardly the only one to make that transition: READ FULL STORY

Oscar voters snub Trent Reznor and Atticus Ross for 'The Girl With the Dragon Tattoo' score

There are plenty of complaints this morning about Oscar snubs, and many of the people and films those arguments will name have a genuine case. Considering the year he has had, it’s absurd that Michael Fassbender didn’t get nominated for something (his performance in Shame was the most daring, but there’s a case to be made for his work in Jane Eyre as well as his turn as Magneto in X-Men: First Class), and the fact that treacly pablum like Extremely Loud & Incredibly Close got a nod for Best Picture and Bridesmaids didn’t (a movie that, despite the poop jokes and Kristen Wiig mugging, actually has something to say) is pretty absurd.

But as far as the Music Mix is concerned, the real crimes were committed in the music categories. Only two tunes were nominated for Best Original Song, leaving that roundly excellent and Golden Globe-winning Madonna song on the bench. The one saving grace in this category is the fact that “Man or Muppet” may actually get performed on the show, making it the second best TV appearance by our fine felt friends in 2012 (because nothing will be able to top Miss Piggy’s appearance on Project Runway All Stars).

The real crime is in the Best Original Score category, where Trent Reznor and Atticus Ross were shut out for their exemplary work for The Girl With the Dragon Tattoo. READ FULL STORY

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