Nov 20 2009 07:41 PM ET

Adam Lambert talks 'For Your Entertainment' at AMA rehearsals: More from our exclusive EW.com Q&A!

Rehearsals for this weekend’s American Music Awards are underway in Los Angeles, and the Music Mix is on the scene to bring you as much of the action as we’re allowed to see. Sadly, so far, that hasn’t been much, as yesterday’s rehearsals — Adam Lambert and Jennifer Lopez, who coincidentally leaked a song called “Louboutins” today — were closed to media.

The LA Times’s Margaret Wappler was luckier than we: she managed to sneak a guerilla peek at Lambert’s rehearsal (before being booted), and reported back that “dancers sashayed across the floor in spangly harem pants, leotards with torn tights and in one particular eye-catching costume, leather pants topped off with a few leather suspender-straps and silvery chains on an otherwise bare-chested male dancer.” We can certainly report that the bass beat of “For Your Entertainment” pounding through the closed doors of the Nokia was hella catchy, and that yes, Lambert’s high notes do carry.

We ran the first part of our post-rehearsal Q&A with the Glambert yesterday, in which he spoke openly about his feelings on the OUT magazine kerfuffle. After the jump, the rest of our short but sweet conversation: How his club kid friends have reacted to For Your Entertainment, how his “rock” voice fits in with Chad Kroeger’s “rock” voice, and which part of his AMA performance he’s dedicated to our EW.com readers. You know you wanna know. (Read full post)

Nov 20 2009 06:29 PM ET

Dirty Projectors live in Brooklyn: Easy to respect, hard to love

There’s no dearth of quality New York bands these days as recent spirit squads have pointed out, but few have developed their sound into such a unified front of deliberate weirdness as Brooklyn’s Dirty Projectors, who played a sold-out show at Brooklyn’s Music Hall of Williamsburg last night. This six-person experimental band’s approach to music and live performance brings to mind influences like David Byrne, Laurie Anderson and Philip Glass, but the complex soundscapes they’ve created seems to spring from nothing other than their collective creative quirks.

The Dirty Projectors are blessed with a fantastic mix of complementary vocalists. Lead singer and guitarist Dave Longstreth sounds somewhat like Antony Hegarty + testosterone, and he shares the voice-time equally with three female backup vocalists who also take turns singing lead. Check out Amber Coffman fronting the avant tinkerers on “the hit,” the synth-inflected “Stillness is the Move”:

Throughout their set, the DPs brought their hooks and melodies in staccato bursts — spindly, angular guitar riffs phase in and out while choral voices exploded with the force of a geyser, then disappeared just as suddenly.

The highlight of the night was “Useful Chamber,” which touched on a variety of weirdo rockers without ever sounding derivative. The wailing, cathartic background vocals brought to mind the ResidentsGod In Three Persons album, while the stomping drums and Television-meets-Troggs guitar work made the audience shimmy and shake as much as is conceivable for music this esoteric.

Which isn’t to say you can’t move your body to their music, it’s simply that the band doesn’t invite the audience to let go. Dirty Projectors are about premeditated artistic expression, and their medium just happens to be music—unlike their borough brethren Animal Collective, who seem music lovers first and artists second. At the end of the night, it was easy to be impressed by this band, but hard to fall in love with them.

Are they too difficult? Too challenging? Nah. They could just use a friendly reminder of why they got into rock & roll in the first place.

 

More from EW.com’s Music Mix:
The Black Keys take over space radio: Watch Dan Auerbach’s performance exclusively on Music Mix

Jason Segel performs booty call song onstage with Swell Season
New Vampire Weekend video, ‘Cousins’: Watch it here

Charlotte Gainsbourg’s new video with Beck, ‘Heaven Can Wait’: Welcome to the Crazydome
Marina and the Diamonds: The Music Mix Recommends
Peter Gabriel covers Arcade Fire, Radiohead, Regina Spektor: When rock worlds collide

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Nov 20 2009 12:59 PM ET
Nov 20 2009 11:27 AM ET

The Black Keys take over the space radio: Watch Dan Auerbach's 'Trouble Weighs A Ton' performance, exclusively on the Music Mix!

The Black Keys’ Dan Auerbach and Patrick Carney have been spending some time apart of late — Auerbach with his great solo record, Keep It Hid, and Carney with Drummer, his promising new supergroup comprised only of drummers from other bands — but they’ll come together on satellite radio next week: The guys are co-hosting Jake Fogelnest’s show on SIRIUS XMU from 10-11 a.m. every day, leading up to the debut of their new side project, Blakroc, in which the Ohio rockers laid down tracks for artists like Raekwon, Q-Tip, Ludacris, Mos Def, and RZA.

Did you get all that? These boys are busy. And yet they make such gloriously simple music, as illustrated by Auerbach’s stop by the SIRIUS XMU Sessions, where his up-close-and-personal performance will air December 2 at 9 p.m. ET. To get you in the mood, we scored an exclusive peek at “Trouble Weighs a Ton.” Press play!

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Jason Segel performs booty call song onstage with Swell Season
New Vampire Weekend video, ‘Cousins’: Watch it here

Charlotte Gainsbourg’s new video with Beck, ‘Heaven Can Wait’: Welcome to the Crazydome
Marina and the Diamonds: The Music Mix Recommends
Peter Gabriel covers Arcade Fire, Radiohead, Regina Spektor: When rock worlds collide
Neil Young’s ‘One of These Days’: An EW exclusive stream from his new live album

Nov 19 2009 07:25 PM ET

Exclusive Q&A with Adam Lambert on OUT Magazine scandal: 'Not every gay man is the same gay man.'

American Idol runner-up Adam Lambert has been in the news this week for more than just the upcoming release of his debut album, For Your Entertainment: After putting Lambert on the cover of OUT magazine, Aaron Hicklin, OUT’s editor, wrote the singer an open letter, complaining about certain stipulations placed on the interview and cover shoot by Lambert’s management team — allegations to which Lambert fired back via Twitter. (Read EW Idol Expert Michael Slezak’s take on the matter here.)

We caught up with Lambert at rehearsals for the American Music Awards in downtown Los Angeles today, and got his unvarnished take on the dispute. We also chatted about the new album and his AMA performance, and will bring you those answers tomorrow as part of our ongoing coverage of Sunday’s awards show. The first part of our frank and open Q&A begins after the jump. (Read full post)

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Nov 19 2009 05:36 PM ET

'The Cleveland Show': Watch Hall and Oates' devilish (and angel-ish) cameo

This Sunday, Hall and Oates cameo on Family Guy spin off The Cleveland Show, and you can see their appearance below. I don’t know what relevance it has to the plot, but I do know Oates has allowed himself to be the butt of jokes abut his lack of stature (both professional and actual). That makes him a big man in my book. And, as the book in question is the new biggie from Stephen King, he will actually fit in it!

I jest, of course.

Dare I ask if you can go for this cameo? I dare! I dare!

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Jason Segel performs booty call song onstage with Swell Season
New Vampire Weekend video, ‘Cousins’: Watch it here

Charlotte Gainsbourg’s new video with Beck, ‘Heaven Can Wait’: Welcome to the Crazydome
Marina and the Diamonds: The Music Mix Recommends
Peter Gabriel covers Arcade Fire, Radiohead, Regina Spektor: When rock worlds collide
Neil Young’s ‘One of These Days’: An EW exclusive stream from his new live album

Nov 19 2009 03:37 PM ET

Jason Segel sings hilarious, must-hear booty-call song on stage with Swell Season. Watch here, then call him!

How I Met Your Mother actor (and flagrant nudist) Jason Segel appeared on stage with the Swell Season at L.A.’s Wiltern last night to sing a song we’ll call “315-329-6673,” after the phone number he disseminates in the chorus — and on a handwritten sign toted by Marketa Irglova — in hopes of finding a nice girl to make love to him:

Couple things. First, I called the number (BECAUSE I AM A JOURNALIST), and it went to a voicemail message where Mr. Segel asked me to write to a Gmail address I couldn’t quite make out. (“Helptronics”?) Second, lest you think this was an isolated special offer, ladies, it appears he’s done it at least once before, at a Maroon 5 show earlier this month, so, you know, don’t give up hope. As for the song itself, well, it’s charming, and the last line walks the hilarious/offensive tightrope perfectly. Well done, sir.

What do you think, Mixers? Anyone catch this performance live? Anyone else call the number — and could you make out the email address? Hell, I’ll bite: Anyone manage to actually have all the sex with Jason Segel? It’s okay, this is a friendly blog. We won’t judge you if you choose to kiss and tell…

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
New Vampire Weekend video, ‘Cousins’: Watch it here
Charlotte Gainsbourg’s new video with Beck, ‘Heaven Can Wait’: Welcome to the Crazydome
Marina and the Diamonds: The Music Mix Recommends
Peter Gabriel covers Arcade Fire, Radiohead, Regina Spektor: When rock worlds collide
Neil Young’s ‘One of These Days’: An EW exclusive stream from his new live album

Nov 19 2009 01:03 PM ET

New Vampire Weekend video, 'Cousins': Watch it here

Boat-shoes rock meet Afro-pop once again on the spiky, galloping “Cousins” the official first single from Ivy League alt breakouts Vampire Weekend’s upcoming sophomore release Contra. And nothing says street party fun times like a flatbed on rails, confetti guns, arm pinatas, face masks and—yes!—more cowbell.

Watch below:

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Nov 19 2009 12:27 PM ET

Pop singer (and Katherine Heigl hubby) Josh Kelley goes country: EW.com's Music Mix has your exclusive first listen!

He made a name for himself as a pop singer-songwriter, but Josh Kelley is now the latest in a string of folks seeking solace in Nashville. The Georgia native has signed with Universal Music Nashville on the strength of some demos he cut for other artists, and hopes to release a soul-flavored country music debut early next year. “Country is where I’m going to live out the rest of my career,” Kelley tells EW. “This is the style and level of songwriting that I’ve always wanted. I’m coming home.”

Of course, there’s already a prominent Kelley in country music: Josh’s younger brother Charles, one-third of Lady Antebellum. “Charles is the main person that convinced me [to go country],” Kelley says. “And if Charles says something — all 6’7” of him — you really do listen. He wears a damn song out if he likes it. And when I sent him ‘Gone Like That,’ he said he listened to it every day, all day long.” Give it a spin after the jump and see if you agree: (Read full post)

Nov 19 2009 08:51 AM ET

Allison Iraheta's 'Friday I'll Be Over U' video: When performance and fashion trump concept and execution

I’m genetically programmed to like things that are awesome, which thereby means I’m crazy about America Idol’s husky-voiced season 8 competitor Allison ‘The Rocker’ Iraheta and her completely addictive debut single “Friday I’ll Be Over U.” But it also means I wish the folks at 19/Jive had spent a little more time and money putting together the corresponding video, which debuted late last night on YahooMusic.

Make no mistake: Allison is exuberant and lovely as always — the girl is a total rock star, and her youthful joy at making her video debut bursts (adorably) through the computer screen. But much like the dude in the A-Ha video that this clip attempts to pay homage to, Allison is trapped in a concept that’s flat and one-dimensional. (Read full post)

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