Author: Leah Greenblatt (1-10 of 368)

Feb 5 2010 05:59 PM ET

Vh1's 'Soul Train' documentary: don't miss it

I am not usually one to shill for Vh1 programming on this blog, unless it’s for the music Tom Sizemore hears in his head on Celebrity Rehab, but the channel’s Soul Train: The Hippest Trip in America, which airs Saturday night at 9:30pm ET/PT, should not be missed.

Terrence Howard narrates the documentary, Roots drummer Ahmir “Questlove” Thompson scores it, and countless icons spanning the show’s 40-year run, including Aretha Franklin, Chaka Khan, Sly Stone, Smokey Robinson and Snoop Dogg, appear as talking heads.

But the real star of Hippest Trip is the show itself: Archival clips from its early beginnings as a local program in Chicago in 1970 and on through its move—both geographical and cultural—to Los Angeles, where its social impact reached far beyond hair styles and hot-minute singles.

Soul Train’s producer and host, Don Cornelius, is still the man with the best baritone this side of James Earl Jones (and his snazzy outfits leave Darth Jones in the dust). The guests, from Ike & Tina to Public Enemy, are amazing—not to mention some of the first musicians to appear live on TV in a time when lip-synching was considered de rigueur. And the dancers, future stars Rosie Perez and Jody Watley among them, are insanely fun to watch. If you can toot your caboose half as well this crew on the infamous Soul Train Line, while looking one-tenth as fashion bananas, you are a champion.

Or, you could just make love to a red rose, rock the bejesus out of a pair of yellow poly pants and a brown silk arm sling, and be Al Green:

Seriously, tune in tomorrow night. If you have ever loved R&B, soul, hip hop, music, television, or joy, it is worth your time.

More from EW.com’s Music Mix:
Ke$ha did not vandalize the Hollywood Sign, officials confirm. Come on.
Frances Bean Cobain to make recording debut
Kelly Clarkson responds to Taylor Swift’s record-label defense: ‘Take a lesson’
U.K. twin sensation Jedward cover “Under Pressure”: The crazy video — with Vanilla Ice cameo! — you didn’t know you needed
Fall Out Boy: Done for good?
Lady Antebellum tops the albums chart

Feb 5 2010 12:27 PM ET

U.K. twin sensation Jedward cover 'Under Pressure (Ice Ice Baby)': The video—with Vanilla Ice cameo!—you didn't know you needed

Alright, stop. Collaborate and listen: Pompadoured Irish X-Factor twins + real-deal Vanilla Ice cameo = holy Friday YouTube whoa.

Eighteen-year-old identical twins John Paul Henry Daniel Richard Grimes and Edward Peter Anthony Kevin Patrick Grimes, a.k.a. Jedward, are a dancing, singing, follicularly dazzling phenomenon sprung from Simon Cowell’s Idol-esque U.K. singing competition (it crowned Leona Lewis in 2006).

They didn’t win, but that hardly seems to matter; judging by the pageviews their David Bowie/Vanilla Ice mash-up “Under Pressure (Ice Ice Baby)” in its scant few days on the internet, they’ve already won a different kind of prize.

Watch them below, enacting what one EW coworker describes as “Vanilla Ice plus Nelson plus MC Hammer plus Puff Daddy (the original) minus David Bowie times a bag of s— on fire,” and be amazed:

More from EW.com’s Music Mix:
Taylor swift collaborator Butch Walker on their much-discussed Grammy performance
Frances Bean Cobain to make recording debut
Kelly Clarkson responds to Taylor Swift’s record-label defense: ‘Take a lesson’
Florence and the Machine on new David Byrne/Fatboy Slim track: Hear it here
Fall Out Boy: Done for good?
Lady Antebellum tops the albums chart

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Feb 5 2010 11:12 AM ET

Frances Bean Cobain to make recording debut

If she really wanted to rebel against her famous parents, Frances Bean Cobain might have gone in for her accounting degree, or perhaps found work on FOX News. Instead, the 17-year-old daughter of late alt-rock icon Kurt and the recently estranged Courtney Love, is, not entirely unshockingly, following in their footsteps.

The London Guardian reports that Frances will sing on Evelyn Evelyn, a project fronted by Dresden Dolls frontwoman Amanda Palmer and her bandmate Jason Webley and also featuring vocals by Weird Al, twin rock duo Tegan and Sara, My Chemical Romance’s Gerard Way, Andrew WK, comedian Margaret Cho and Palmer’s fiance, Coraline author Neil Gaiman. She apparently appears on a track called “My Space,” “an anthemic 80s power ballad” with “gang vocals” by the collected crew.

The album, due March 30, is centered around the story of “conjoined twins who … spent their lives trapped in the circus industry” and sounds, according to their MySpace page, something like the accompaniment to a Coney Island freak show circa 1862 meets Barnum & Bailey, with contemporary references to debit cards and “dickheads” sprinkled throughout.

Will it be her personal Nevermind or Live Through This? Unlikely, but fans of both can find out when Evelyn is released March 30.

More from EW.com’s Music Mix:
Taylor swift collaborator Butch Walker on their much-discussed Grammy performance
Florence and the Machine on new David Byrne/Fatboy Slim track: Hear it here
Memphis rocker Jay Reatard’s cause of death announced
Major Lazer trash-talks, covers Beyonce’s ‘Halo’ with help from Elephant Man
Michel Gondry on his colorful video for Mia Doi Todd’s ‘Open Your Heart’ and more: The Music Mix interview

Feb 4 2010 05:19 PM ET

Kelly Clarkson responds to Taylor Swift's record-label defense: 'Take a lesson'

Today’s passionate defense of Taylor’s much-maligned performance at Sunday night’s Grammy Awards by her record label president has drawn the ire of one its incidental targets: Kelly Clarkson.

Big Machine Records head Scott Borchetta said, in part, of Taylor, “”She is the voice of this generation. She speaks directly to [her fans], and they speak directly back to her. This is not American Idol. This is not a competition of getting up and seeing who can sing the highest note. This is about a true artist and writer and communicator. It’s not about that technically perfect performance.”

“Maybe,” he went on, “she’s not the best technical singer, but she’s probably the best emotional singer because everybody else who gets up there and is technically perfect, people don’t seem to want more of it.”

Clarkson, who has taken her own knocks in the press before, seems to have genuine sympathy for Taylor but is none too pleased with Borchetta’s defense—or the accidental Idol insult it implies.

This afternoon on her blog, Clarkson posted the following note:

“Wow …..Dear Scott Borchetta,

I understand defending your artist obviously because I have done the same in the past for artists I like, including Taylor, so you might see why its upsetting to read you attacking American Idol  for producing simply vocalists that hit ‘the high notes’. Thank you for that ‘Captain Obvious’ sense of humor because you know what, we not only hit the high notes, you forgot to mention we generally hit the ‘right’ notes as well. Every artist has a bad performance or two and that is understandable, but throwing blame will not make the situation at hand any better.

I have been criticized left and right for having shaky performances before (and they were shaky) and what my manager or label executives say to me and the public is “I’ll kick butt next time” or “every performance isn’t going to be perfect” ……I bring this up because you should take a lesson from these people and instead of lashing out at other artists (that in your ‘humble’ opinion lack true artistry), you should simply take a breath and realize that sometimes things won’t go according to plan or work out and that’s okay.

Sincerely,

One of those contestants from American Idol who only made it because of her high notes”

Honestly, Borchetta seems to have done Swift more harm than good today; the best defense is not, in all cases, one that is actually offensive to not only your own star, but also any artist who sings better than she does.

Things he could have emphasized—Swift’s songwriting chops, her relative youth and inexperience, general human frailty in a high-pressure situation—were played down in favor of, well, coming off like kind of an ass.

But you tell us, readers—Team Kelly or Team Scott? Ultimately, they both seem to be on Team Taylor, though Swift herself might prefer the less-divisive rule book Kelly is using to play the game.

(Follow the Music Mix on Twitter: @EWMusicMix.)

Feb 4 2010 03:23 PM ET

'Alice in Wonderland' soundtrack: Stream snippets from Owl City, Avril Lavigne, Franz Ferdinand and more

Categories: New Stuff, Soundtracks

The upcoming Tim Burton film adaptation of Alice in Wonderland promises to be thoroughly, weirdy-wonderfully Burton-esque, if the trailer is any indication:

Now, Disney.com is hosting streamed snippets of all 16 songs on the March 2 album Almost Alice, the companion release to Danny Elfman’s official score—including Avril Lavigne’s “Alice” in full.

Among the other Almost guests: Owl City, All American Rejects, Franz Ferdinand, Cure frontman Robert Smith, Aussie rockers Wolfmother, Plain White T’s, Blink 182’s Mark Hoppus and Fall Out Boy’s Pete Wentz paired together, 3Oh!3, and Estonian pop star (and Alice doppleganger) Kerli.

Listen to previews (and the full Avril track) here and tell us what you think.

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Feb 4 2010 12:17 PM ET

Florence and the Machine on new David Byrne/Fatboy Slim track: Hear it here

Lauded British songstress and super EW crush Florence Welch of Florence and the Machine is the latest alt star to guest on Here Lies Love, the collaborative project of onetime Talking Head David Byrne and Big Beat overlord Fatboy Slim, due February 23.

Love, a song cycle inspired by former Filipino First Lady (and legendary shoe-ologist) Imelda Marcos also features guest spots by Santigold, St. Vincent, Cyndi Lauper, Sia, Tori Amos, Natalie Merchant and more. Hear Florence’s title track, below:

More from EW.com’s Music Mix:
Memphis rocker Jay Reatard’s cause of death announced
2010 Oscars for Best Song: Worst nominations ever?
Major Lazer trash-talks, covers Beyonce’s ‘Halo’ with help from Elephant Man
Michel Gondry on his colorful video for Mia Doi Todd’s ‘Open Your Heart’ and more: The Music Mix interview
“We Are the World” for Haiti benefit features Barbra Streisand, Celine Dion, Jennifer Hudson, Kanye West, Justin Bieber…

Feb 3 2010 03:25 PM ET

Memphis rocker Jay Reatard's cause of death announced

Categories: Indie Rock, News, R.I.P.

The autopsy results for acclaimed indie-rocker Jay Reatard, who was found dead in his Memphis home on January 13, were released today, revealing that the 29-year-old Matador Records signee died of “cocaine toxicity, and that alcohol was a contributing factor in his death,” according to Shelby County Medical Examiner Dr. Karen E. Chancellor.

Many notable names in the music industry, among them Beck, the Pixies, and Britt Daniel of Spoon, mourned his loss; the wildly prolific Reatard (born Jimmy Lee Lindsey Jr.) released countless full-lengths, EPs and one-offs in his career, beginning when he was just 15. Matador tells EW that there are no immediate plans to release any material posthumously.

Watch him below in the video for “It Ain’t Gonna Save Me,” from last year’s excellent Watch Me Fall:

More from EW.com’s Music Mix:
2010 Oscars for Best Song: Worst nominations ever?
Major Lazer trash-talks, covers Beyonce’s ‘Halo’ with help from Elephant Man
Michel Gondry on his colorful video for Mia Doi Todd’s ‘Open Your Heart’ and more: The Music Mix interview
“We Are the World” for Haiti benefit features Barbra Streisand, Celine Dion, Jennifer Hudson, Kanye West, Justin Bieber…

Feb 2 2010 07:40 PM ET

Fall Out Boy: Done for good?

If statements today from frontman Patrick Stump and bass player/band pin-up Pete Wentz are to believed, platinum-selling Chicago rockers Fall Out Boy may have come to the end of the road, permanently.

Though the band announced a planned hiatus last summer, recent news points to a more final kind of break. On his personal website, Wentz wrote, in part, “As much as i don’t have a solo project, i also can’t predict that i’d ever play in fall out boy again. not due to personal relationships as much as a band we grew apart. in this statement id like to include there is the possibility that fob will play again with out me or i will be a part of it when everyone is on the same page. it is no ones fault and there is no animosity about the decision… i am the single biggest fan of fob and if this is our legacy than so be it. i am proud of it.”

In response, Stump told Spin.com, “I’m not in Fall Out Boy right now, but one way or another, the band will always be around. Steven Tyler isn’t in Aerosmith anymore, but his gravestone will probably say something about Aerosmith. Whether we play again or not, I don’t know. If we do, it will be for the right reasons. If we don’t, it will also be for the right reasons.”

On his own website, Stump posted videos of the solo project he is currently working on, while Wentz has collaborated with Blink 182’s Mark Hoppus on a song for Tim Burton’s upcoming Alice In Wonderland, and drummer Andy Hurley and guitarist Joe Trohman are reportedly still at work with the Damned Things, a band they formed in 2008 with Anthrax’s Scott Ian and Rob Caggiano, Every Time I Die’s Keith Buckley and bassist David Karon.

For old times’ sake, revisit our 2007 feature on the band, and relive their breakout hit, 2005’s “Sugar We’re Going Down.” Then tell us how you feel about the end of FOB—and the musical future of its four members:

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
2010 Oscars for Best Song: Worst nominations ever?
Hear Simon Cowell’s All-Star Haiti benefit single, ‘Everybody Hurts’
“We Are the World” for Haiti benefit features Barbra Streisand, Celine Dion, Jennifer Hudson, Kanye West, Justin Bieber…
Taylor swift collaborator Butch Walker on their much-discussed Grammy performance
Lady Gaga and Elton John: What did you think?
Taylor Swift and Stevie Nicks’ Grammy duet: out of sight, or out of tune?
Grammys: the complete list of winners

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Feb 2 2010 01:12 PM ET

2010 Oscars for Best Song: Worst nominations ever?

The Academy Awards are known for the odd Best Song stumble or snub (shutting out Bruce Springsteen entirely for 2008’s widely acclaimed “The Wrestler,” even after it won the Golden Globe, for example). Though they’ve made some admirable choices, too: See the triumph of Three 6 Mafia’s “Hard Out Here for a Pimp” for Hustle and Flow in 2005, and Markéta Irglová and Glen Hansard’s Once theme “Falling Slowly” in ‘07.

But this year, Ryan Bingham’s lovely and eminently worthy “The Weary Kind” from Crazy Heart aside, the nominations are decidedly underwhelming. No offense to Randy Newman, the Susan Lucci of Oscar Song noms, who gets two this year for his work on Disney’s The Princess and the Frog, but seriously, he needed two?

And as for Marion Cotillard’s speakeasy shimmy “Take It All” from the star-studded dud Nine, and the boppy piano ditty “Loin de Paname” from hardly-seen French musical Paris 36? All we can say is, sacre bleu. Surely, the Academy could have dug a little deeper? (Though speaking of blue, points to them for passing on Leona Lewis’ Celine-style Avatar fail, “I See You.”)

If there were justice in the ranks, we might have seen a nod for Karen O’s organic and sweetly childlike Where The Wild Things Are work, specifically “All Is Love,” or Ed Helms’ Dada goof “Stu’s Song” from The Hangover. Neither would likely have won, but they deserved a chance, as did Mary J. Blige’s “I Can See In Color” for Precious, Duffy’s “Smoke Without Fire” from An Education, and Sad Brad Smith’s Up in the Air elegy “Help Yourself.”

Also absent? Anything at all from the Twilight: New Moon soundtrack. No matter what you think of the film (to recap: rainforest, sparkle, mope, werewolf, mope, kiss), its music was almost uniformly excellent. Death Cab for Cutie, Thom Yorke, Lykke Li (who made the eligibility short list, at least), and countless others contributed tracks that should have at least earned them a shot at the statuette; it’s unclear why they didn’t.

But you tell us, readers—is this the lineup you were hoping for? Who most deserves the prize, regardless of whether or not they were nominated?

More from EW.com’s Music Mix:
Hear Simon Cowell’s All-Star Haiti benefit single, ‘Everybody Hurts’
“We Are the World” for Haiti benefit features Barbra Streisand, Celine Dion, Jennifer Hudson, Kanye West, Justin Bieber…
Taylor swift collaborator Butch Walker on their much-discussed Grammy performance
Lady Gaga and Elton John: What did you think?
Taylor Swift and Stevie Nicks’ Grammy duet: out of sight, or out of tune?
Grammys pay tribute to Michael Jackson with help from his kids: A fitting salute?
Grammys: the complete list of winners

Feb 2 2010 12:00 PM ET

Hear Simon Cowell's Haiti benefit single, 'Everybody Hurts': Miley, Mariah, Susan Boyle, and more sing the R.E.M. classic

He may kill dreams weekly on Idol, but there is a good heart beating beneath the grinch-y proclamations and shrink-wrapped black t-shirts of Mr. Simon Cowell.

The man used his bi-contintental power to gather an all-star cast on “Everybody Hurts,” a largely faithful cover of R.E.M.’s beloved 1993 ballad. Among the stars who appear below: Leona Lewis, Mariah Carey, Miley Cyrus, Jon Bon Jovi, Rod Stewart, Kylie Minogue, Mika, Michael Buble, James Blunt and several names that will probably resonate much more with readers whose wallets are full of Euros, not dollars (Gary Barlow, Cheryl Cole, Westlife):

Either way, you can still give in the spirit of the cause to Cowell’s designated charity here, or to any number of respected institutions. In the meantime, tell us which of the current charity projects—including the A-list overflow “We Are the World,” various live benefits and Dave Matthews’ new EP—you’re most enjoying; not just for the do-goodery, but for their own sake.

More from EW.com’s Music Mix:
“We Are the World” for Haiti benefit features Barbra Streisand, Celine Dion, Jennifer Hudson, Kanye West, Justin Bieber…
Taylor swift collaborator Butch Walker on their much-discussed Grammy performance
Lady Gaga and Elton John: What did you think?
Taylor Swift and Stevie Nicks’ Grammy duet: out of sight, or out of tune?
Grammys pay tribute to Michael Jackson with help from his kids: A fitting salute?
Grammys: the complete list of winners

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