Back in November, Lorde told VH1 that her song “Royals” was inspired by a photo that she saw in National Geographic of now-retired Kansas City Royals third-baseman George Brett. READ FULL STORY
Category: News (21-30 of 1946)
Lana Del Rey unveiled her new single “West Coast,” at Coachella last weekend — and in case you weren’t part of the desert masses this year, you can check it out below. The bluesy summer tune is off of her upcoming album Ultraviolence, which drops May 1st.
There’s a heavy influence from producer Dan Auerbach, The Black Keys frontman who has been working with her on the album. Can you catch the threads of The Beatles’ “And I Love Her“?
British pop star Jessie J, best known Stateside for hits like “Price Tag ft. B.o.B.” (which was covered in the final scene of Pitch Perfect!) and “Domino,”faced rumors about her sexuality early on in her career, which she addressed in an interview with a radio show in 2011 (around the time of her first album, Who You Are), saying, “I’ve never denied it. Whoopie doo guys, yes, I’ve dated girls and I’ve dated boys – get over it.”
But now — on the eve of her third album and after a jump to a bigger record label — she told The Mirror, “For me, it was a phase,” she says. “But I’m not saying bisexuality is a phase for everybody.” Since the LGBT community fights tirelessly to show people that sexual orientation is not a choice, it’s understandable that they wouldn’t take kindly to a public figure announcing their closet has a revolving door. After getting slammed online, she made this loooong statement on Twitter: READ FULL STORY
Unfamiliar with country’s hottest new star, Cherlene? Well, that may be because she doesn’t exist. “Cherlene” is actually a Judy Greer-voiced character on the animated FX spy comedy Archer whose most recent season has tracked her unlikely rise through the country ranks (at least those parts of the season which haven’t tracked the feckless attempts by her colleagues to sell a metric tonne of cocaine).
Step aside Jay and ‘Ye, Pharrell is the new King of Cool. The rapper/producer/entreprener/fashion icon graces the cover of the GQ‘s Style Issue this month. (Yep, he’s winking at you.)
The photo spread featured an amazing polka-dot ensemble that you can’t miss. Pharrell really seems to be bringing the Dr. Seuss game to his style choices and it totally works for him. (It’s the cheekbones.) While cruising around Miami, he shared his thoughts on politics, black culture and the space and time continuum. Here are some highlights:
On the girls-only gym he’s invested in: “they can find their inner beauty and find their inner challenging spirit and find their bravery, all by dancing, and then at the same time getting fit…you’re going to see loads and loads of women doing, you know, trap dances and squatting low…”
Johnny Cash's new album 'Out Among the Stars' -- EW talks to the country icon's son about unearthing the lost recordings
So how on earth do you lose an album by a bona fide country icon? Well, it helped that back in the early ‘80s, Cash was not exactly flavor of the month, C&W-wise. “Johnny Cash did not quite fit,” says John Carter Cash, the producer son of Johnny and June Carter Cash. Cash recorded the tracks with producer Billy Sherrill who at the time was the A&R chief at CBS Records Nashville, but even his imprimatur couldn’t get the collection released at the time. “I think he made the record which was correct for Johnny Cash,” says John Carter. “However, Columbia didn’t know what to do with it so this record was literally shelved.”
After Mother Monster was vomited on at Stubbs BBQ last night — for the show guys, it was all part of the show — she came to the SXSW keynote address wearing a full body tarp and dreadlocks that gave her a distinct Twins from The Matrix vibe.
The address wasn’t actually speech, but a Q&A session hosted by John Norris, the former MTV VJ who is now a producer for Fuse. Norris couldn’t help himself and dove right in with a barf joke: “You could’ve used that outfit last night, huh?” Thank you for saying what we were all thinking. (Although, I have to question his John Galliano armband. Pourquoi?) Lady Gaga seemed subdued, which is probably because she was feeling a little wrung out from all the mechanical bull/pig riding that she did last night. That really takes it out of you.
There were two overarching ideas that she kept circling back to in her answers and they might not be what you expected: 1) The music industry machine is ruining lives, but corporate sponsorships are, surprisingly, not. 2) Twitter is ruining lives. (This from a woman with 41 million followers.) The first point was a reaction to the flack that she’s gotten for showing up to SXSW–once upon a time, a festival for unknown artists–and playing under the massive corporate logo of Doritos, which underwrote her performance. The second point, well, let’s just say Gaga is competing with Anne Hathaway for the most cyber-haters.
So here are seven things we learned from Gaga’s keynote address: READ FULL STORY
Lady Gaga's mom defends charges that Born This Way charity spent millions on overhead and donated only $5,000
Cynthia Germanotta has gone on the record about reports that daughter Lady Gaga’s foundation has spent millions on expenses like its website and publicity instead of charity grants, insisting that the Born This Way Foundation “carries out its work directly.”
“It is important for us to set the record straight regarding Born This Way Foundation’s mission and how the organization allocates its funds. … First and foremost, we are an organization that conducts our charitable activity directly, and we fund our own work,” wrote foundation co-founder and president Germanotta in an op-ed published March 12 by the Huffington Post. “We are not a grant-maker that funds the work of other charities, and were never intended to be.”
The defensive op-ed comes just days after ShowBiz411.com wrote a scathing article about the foundation’s spending, revealing that the foundation spent just $5,000 of its $2.1 million in net assets. READ FULL STORY
The March 6 episode of Grey’s Anatomy finds TV’s most amorous doctors dealing with the hospital’s new non-fraternizing policy, so it makes sense that one of the songs we’ll hear in the hour is Young Summer’s slow, moving cover of the Human League’s “Don’t You Want Me.” We’ve got your exclusive full-length stream below. The track is available now on iTunes. READ FULL STORY
According to the Wall Street Journal, HBO decided that their prize pony Game of Thrones might pull in more of an “urban” crowd if they could connect the show to rappers. Rappers totally sell stuff to “urbans,” right?
Yes, HBO’s analysts confirmed this for them. Game of Thrones has a viewership of 14.3 million, so there’s bound to be some hip-hop stars in there. Sure enough, Common, Big Boi, Daddy Yankee and a handful of other names agreed to make a mix tape of Game of Thrones-themed songs called Catch the Throne. (No word from HBO on how much this project is costing them.)
The 10-song compilation will be released online this Friday. Good news for skeptical fans, all the songs will be free downloads. WSJ already gave a sample of Wale’s lyrics: “I’m tellin’ whoever messin’ with me/I can bring you that Khaleesi heat/Use my King, knack for words, as an actual sword/I can decapitate a rapper…” Ah, memories.
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