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Tag: Eminem (11-20 of 160)

Lady Gaga's 'ARTPOP' earns the number one spot, Eminem holds on

All’s well that ends well, as they say: After a multi-platform promotional blitz, Lady Gaga’s ARTPOP is the number one album in the country this week. Billboard reports that Gaga’s new album sold about 258,000 copies in its first week of release, giving her the second chart-topping debut of her career.

As previously discussed, it’s a long way from the numbers she did with Born This Way back in 2011,though it still gives her the third biggest debut for a woman in 2013 behind Katy Perry’s Prism and Miley Cyrus’ Bangerz.

ARTPOP narrowly bested Eminem’s The Marshall Mathers LP 2, which sold 210,000 copies in its second week of release. Three other albums made their debuts in the top 10 this week: Now 48 (no. 3 with 114,000), the Beatles On Air: Live at the BBC Vol. 2 (no. 7, with 37,000), and Jhené Aiko’s Sail Out EP (no. 8 with 34,000). READ FULL STORY

Charts: Eminem scores second biggest sales week of 2013

It’s 2000 all over again: Justin Timberlake is responsible for the biggest sales week of the year, and Eminem is solidly in the second slot.

Slim Shady’s The Marshall Mathers LP 2 had the second-biggest sales week of 2013, moving 792,000 copies of his eighth album. That beats many of the industry predictions, most of which anticipated between 700,000 and 750,000. It’s around a million albums less than the original Marshall Mathers LP did in 2000, but it’s still a strong showing from the veteran rapper.

Justin Timberlake’s The 20/20 Experience still has the biggest sales week of the year, with 968,000 copies sold in its first week back in March. After Eminem, the rest of the top five biggest debut weeks of the year are Drake’s Nothing Was the Same (658,000), Jay Z’s Magna Carta…Holy Grail (528,000), and Luke Bryan’s Crash My Party (528,000). Expect Lady Gaga’s just-released ARTPOP to sneak into that list somewhere next week.

It’s the biggest opening week for Eminem since Encore moved 710,000 in its debut week in 2004, though that was only based on three days’ worth of sales. It bests his previous two debuts, as 2009’s Relapse opened with 608,000 copies sold and 2010’s Recovery did 741,000 in its first week.

Elsewhere on the Billboard 200, Celine Dion’s Love Me Back to Life opened strong in the number two slot, while Duck Dynasty‘s Robertson Family’s holiday disc Duck The Halls took the no. 3 spot with 75K and Avril Lavigne’s self-titled new release landed at a disappointing number five with 42K.

Did you pick up The Marshall Mathers LP 2 last week? Now that you’ve had time to sit with it, what do you think? And how many copies of ARTPOP do you think Lady Gaga will sell? Sound off in the comments.

This week in singles: New songs by Eminem, Kitty, Austin Mahone, and more

Kitty, “Second Life”
The 21-year-old young Florida rapper who became internet famous as Kitty Pryde and stubbornly—thankfully—refused to settle for meme-dom starts this one off with a whispery, “You make me this quiet thing I’m not used to being.” But it’s only her voice that’s hushed: The whooshing drum & bass beat offers all the evidence you need that she does as she pleases, even when that means potentially confusing both rap and EDM fans.  (Not to mention the harassers she has so eloquently dispatched in the past.) 



READ FULL STORY

Charts: Arcade Fire open on top, Eminem set for huge debut

Back in 2010, Arcade Fire scored their first number one with The Suburbs, an album that would go on to win the Grammy for Album of the Year. The Canadian collective is back on top with their follow-up Reflektor, which opens its sales life at the top of the Billboard 200 with 140,000 copies sold. That’s a solid number, though its slightly below the kickoff week for The Suburbs, which picked up 156,000. 

Of course, Arcade Fire only spent a single week at number one last time around — The Suburbs was dethroned by Eminem’s Recovery, which had returned to the top of the chart in its eighth week of release. It looks like history will be repeating itself: Eminem’s just-released The Marshall Mathers LP 2 is on track to sell between 700,000 and 750,000 units this week, which would easily give Slim Shady his 11th chart-topper and the second-biggest opening of the year behind Justin Timberlake’s The 20/20 Experience.

That would also be right on pace with the opening week of Recovery, which opened with 741,000 copies sold. Of course, he’ll fall well short of the premiere week for 2000’s The Marshall Mathers LP, which hit a staggering 1.76 million copies. Em will even fall short of the first Marshall Mathers LP‘s second week, which saw it do another 800,000. Still, Slim Shady has shown remarkable durability despite shifting cultural allegiances and mixed reviews.

Eminem also finds himself on top of the Digital Songs chart this week, with “The Monster,” his Rihanna-assisted single, selling 373,000 downloads. READ FULL STORY

Eminem on SiriusXM's Town Hall: 'I'm in this game to press buttons and spark conversation'

For a relative recluse, Eminem sure gets around when it’s time to do business. In the lead-up to the release of his new album The Marshall Mathers LP 2, out today, Mr. Mathers was the musical guest on Saturday Night Live, stopped in to spit “Rap God” and collect a prize at the YouTube Music Awards, and finished up his New York media tour with a long conversation on his own SiriusXM station Shade 45. 

In the latest entry in SiriusXM’s Town Hall series, Eminem sat down with host Sway for a lengthy chat about the rapper’s early days (Sway first met him way back in the mid ’90s when he was co-hosting The Wake Up Show on KMEL out of Oakland), his new album, his inspirations, and the controversy that constantly follows him around. He was a little elusive in spots, ducking questions about his daughter and his relationship with his mother despite the fact that thoughts about them both appear on MMLP2. “What I said on the record is what I have to say about that,” he told Sway when asked about being the father of a teenager. “There’s no need for me to elaborate on it. I’m just gonna leave that part of my life out from now on.”

But when confronted with a question from a fan in the studio about his controversial lyrics, he laid out his goals head-on. READ FULL STORY

Eminem defends gay slurs: 'I think people know my personal stance on things'

Eminem’s new album The Marshall Mathers LP 2 comes out tomorrow, and in the lead-up to its release, there have essentially been two conversations happening. The first is obvious: Is MMLP2 any good? (EW’s Nick Catucci is conflicted.) But the second is a bit more complicated: In 2013, what’s the deal with Eminem still using gay slurs, especially on the single “Rap God”?

In that song, Eminem takes down rivals with the lines “Little gay-looking boy / So gay I can barely say it with a straight face-looking boy” and “You f–s think it’s all a game ’til I walk a flock of flames.” Those lines have both widespread controversy and confusion, considering Slim Shady has constantly had to walk back his stance on homosexuals.

He attempted to clear everything up in the pages of Rolling Stone this week: “I don’t know how to say this without saying it how I’ve said it a million times,” he told the magazine. “But that word, those kind of words, when I came up battle-rappin’ or whatever, I never really equated those words . . .”

At that point, the writer helps him along. “To mean homosexual?” he asks.  READ FULL STORY

Eminem, Taylor Swift top YouTube Music Awards

Crying babies, Win Butler’s Kanye moment, a faked double suicide, face painting, a makeup-free Lady Gaga in plaid and a trucker’s cap. There were all kinds of unexpected moments on the first YouTube Music Awards—which you can watch in full here—as imagined by Spike Jonze and carried off by the odd couple hosts Jason Schwartzman and Reggie Watts.

Eminem, Taylor Swift and Macklemore & Ryan Lewis were among the winners during Sunday night’s live webcast from New York. But the awards were sort of beside the point as Jonze and others directed live videos with Eminem, Gaga, M.I.A. and rapper Earl Sweatshirt, and Schwartzman and Watts careened about the soundstage with only notecards to point the way. READ FULL STORY

Spike Jonze previews this Sunday's YouTube Music Awards, featuring Eminem, Lady Gaga, and Arcade Fire

Director Spike Jonze has had a busy 2013: He produced Jackass Presents: Bad Grandpa (currently the number one movie in the country), his next directorial effort Her is set to roll out at Christmas, and this Sunday, he’ll oversee the first ever YouTube Music Awards.

The show, which celebrates both high-octane stars and viral upstarts, will beam live from New York City’s Pier 36 and will feature performances by Eminem, Lady Gaga, and Arcade Fire. The whole thing will be hosted by Jason Schwartzman and Reggie Watts and will air live (naturally) on YouTube beginning at 6 p.m. Eastern on Sunday.

But what will the show actually look like, and how will it differentiate itself from the other music award shows crowding the calendar? Jonze spoke to EW about the process of putting it together, the goals for the evening, and more.

Entertainment Weekly: How long have you been working on this show? How did you get involved?
Spike Jonze: About six months ago, YouTube approached Vice and I about creating and producing their first music awards. It seemed like such a natural thing both for them and for me. I’ve always loved YouTube and the idea that anyone can make something and put it up. There’s no gatekeeper anymore—someone can just be creative and share it.

We came up with the idea that this night should be all about making things. So we’re giving awards to people who made things this year, but we’re also trying to make the whole awards show feel like a YouTube video. It’s about being creative and making things, and one of the main parts of that is we’re making live music videos with these artists, and as opposed to artists performing on a stage to an audience, though there might be some of that too if that’s the idea. It’s more about making these live videos in front of and with the audience that is there.

So will the artists be performing in full-scripted, narrative-type videos?
Some of them will be more straightforward performance videos, but some will be more conceptual. READ FULL STORY

Eminem's 'Marshall Mathers LP2,' streaming now -- Is this a new, self-aware Slim Shady?

The-Marshall-Mathers-LP-2.jpg

Eminem wouldn’t be Eminem—or Slim Shady, or Marshall Mathers—if he didn’t allot some of his whizbang rhymes to homophobic slurs and misogynistic fantasies. “Rap God,” a single from his eighth album in which he belittles unnamed rivals as “fags” and “gay,” kicked up the latest in a long line of debates about his compulsion to attack women and gay men.

But on The Marshall Mathers LP 2 (which is streaming now on iTunes, ahead of its Nov. 5 sale date), the 41-year-old works his me-or-my-demons shell game more furiously than ever. On the seven-minute-plus opener “Bad Guy,” he imagines his own commeuppance, as the brother of his old stalker character “Stan” kidnaps Em to avenge his late sibling. Facing death, Marshall hears his “lack of a conscience”: “I’m the bullies you hate, that you became/With every faggot you slaughtered/Coming back on ya, every woman you insult/That, with the double standard you had when it comes to your daughters.”

READ FULL STORY

Eminem drops Rihanna-assisted 'The Monster': Hear it here

Eminem’s The Marshall Mathers LP 2 doesn’t arrive until next Tuesday, but we’ve already heard the intense “Survival,” the throwback banger “Berzerk,” and the battle-ready “Rap God.” Now comes the Rihanna reunion “The Monster,” which just arrived on the Internet.

RiRi previously appeared, of course, on Em’s chart-topping single “Love the Way You Lie” back in 2010, and he returned the favor by lending “Love the Way You Lie (Part II)” to her Loud album that same year. Mr. Mathers also dropped in on Rihanna’s “Numb,” from her 2012 release Unapologetic. 

“The Monster” has a slightly jumpier tempo than the pair’s other collaborations, but it still finds Rihanna playing the songbird sounding-board to Em’s weary confessional rhyme spitter. It doesn’t have the same sort of chart-topping grandeur that “Love the Way You Lie” had, but it does sound like the most radio-read crossover track we’ve heard from The Marshall Mathers LP 2 thus far.

You can buy “The Monster” on iTunes starting at midnight; until then, listen below: READ FULL STORY

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