Tag: Jay-Z (61-70 of 147)

Oct 18 2011 11:29 AM ET

Kanye West and Jay-Z face official lawsuit over 'Watch the Throne' sample

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Image Credit: Kevin Mazur/WireImage.com

The legal rumblings that began in August have now become a full-blown lawsuit: 75-year-old bluesman Syl Johnson is taking Jay-Z and Kanye West to court in Illinois over the uncleared usage — essentially, of a pronounced vocal “ungh!” — from his 1967 song “Different Strokes” on Watch the Throne‘s “The Joy.”

“The Joy” was originally intended to be included as a bonus track on Kanye’s My Beautiful Dark Twisted Fantasy, then left off when sample clearances were not obtained in time; when the song subsequently appeared on WTT, Johnson’s reissue label Numero Group said that the distressed singer was “nearly in tears.” “[Throne label] Island Def Jam seems to think that Syl doesn’t have any fight left in him,” they wrote on their website. “We’re betting otherwise.”

Johnson, a relatively obscure but beloved figure in soul and blues — EW gave his 2010 box set Complete Mythology an A — has been sampled countless times in hip-hop; “Different Strokes” alone has been used more than two dozen times by giants of the genre such as Erik B. and Rakim (1987′s “I Know You Got Soul”), Public Enemy (1987′s “Miuzi Weighs a Ton” and 1989′s “Fight the Power”), De La Soul (1988′s “The Magic Number” and the Beastie Boys (1988′s “Desperado”).

In August, according to hiphopdx.com, Johnson told NBC, “”Well, they didn’t pay me. They used my style, my sound, my likeness, without my permission … I think Kanye West, kind of, he blew it. He knows me, he knows my daughter, Syleena Johnson” — who sang the hook on West’s 2004 hit “All Falls Down” — “And hey, for a few, you know, a small amount – do it [up] front like Kid Rock, Wu-Tang Clan and all the people behind me.

“I hate to sue people. I’ve sued quite a few people. But, it ain’t my thing to sue them. But, this is the law. This is a country of laws.”

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Sep 24 2011 02:29 PM ET

On the scene at the iHeartRadio Music Festival, day one: Black Eyed Peas, Kelly Clarkson, Alicia Keys, and Jay-Z

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Image Credit: Kevin Mazur/WireImage.com

When you think about it, there’s really only one way to kick off a pop music festival: with the gyrating, electro, pulsing sounds of the Black Eyed Peas, of course.

The foursome opened the iHeartRadio Music Festival at the MGM Grand Garden Arena last night with laser lights, a cadre of jailbird-themed backup dancers (in a word: divine), and one of their signature songs, “Boom Boom Pow.”

It’s almost needless to say, but the party-rocking vibe the show’s producers were no doubt hoping for coalesced perfectly, as the crowd spiraled into dancing through songs like “Just Can’t Get Enough,” “Don’t Stop the Party,” “The Time (Dirty Bit),” and the perfect set-ender: “I Gotta Feeling.” (Personally, I was hoping for “Shut Up,” but no one ever seems to be into that song as much as me.)

Of much interest — at least to me — was Fergie’s delightful getup, which included glittery knee-high boots and onesie, and fascinating, gold fingernail/cap things that contributed to her overall drag queen look. She was Vegas to a T! (Then again, she always kind of is.)

The tone was set from the first act: This show was definitely all about the hits, and the 12,000 fans in the audience at the MGM Grand Garden Arena seemed to get just what they wanted. From top to bottom, the show was quite the Vegas production with huge screens flanking the stage, more than one confetti blast (the first one came at the almost-still-daylight time of 8:01 p.m., no joke), and, yes, Ryan Seacrest as host.

He first appeared after the Black Eyed Peas left the stage to introduce the show: “This weekend,” he said, in a trademark way that’s both overly dramatic and overly bombastic, “all roads lead to Vegas.” Well, all roads carrying the biggest pop stars, at least. And it was during this interlude that he announced something that made the crowd go completely wild: Lady Gaga—already confirmed to be performing during the festival—would appear on Saturday night with Sting. In two words: Instant death!

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Sep 15 2011 12:20 PM ET

J. Cole drops new Jay-Z assisted single 'Mr. Nice Watch'

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Jay-Z has been tipping his hat to about-to-explode rapper J. Cole for quite a while — in fact, he was the first-ever artist signed to Jigga’s Roc Nation label back in 2009.

Now, he’s putting his money where his mouth is (or in this instance, his mouth where his money is), dropping in on Cole’s just-released new single “Mr. Nice Watch.”

Produced by Cole himself, “Mr. Nice Watch” is a twitchy, bass-heavy blast of computer funk that gives way to a weepy guitar line and seems cut from the same cloth as many of the tracks on Watch the Throne, which will probably lead to an excellent argument about who is influencing who in the Jay-Z camp. Give the song a spin below. READ FULL STORY »

Sep 7 2011 01:44 PM ET

Lil Wayne's 'Tha Carter IV' sells 964,000 copies, lands second-highest first-week numbers of the year: Is he really the 'best rapper alive'?

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Image Credit: Jason G. Bahr/Getty Images

Okay, let’s answer the headline’s question first: No, Lil Wayne is not the best rapper out right now. In my mind, Eminem, Jay-Z, and Kanye West are duking it out for that crown. He is, however, the most popular.

Yesterday Billboard reported the final first-week tally for his new album Tha Carter IV. It sold 964,000 copies, making it the best selling hip-hop debut of the year and the second biggest opening week overall—second only to Lady Gaga’s Born This Way, which moved 1.11 million copies.

Wayne’s no newbie to colossal numbers, either. The last edition of his Carter series scored big with 1.01 million records sold in its first seven days on shelves in 2008.

Wayne’s C-4 debut more than doubles the opening figures rap peers Kanye West and Jay-Z’s collab album Watch the Throne (436,000), causing the blogosphere to come to the rash conclusion that Wayne, as he’s said often before, is “the best rapper alive.”

Really? Sure, numbers mean plenty. But as I so eloquently wrote in under 140 characters on Twitter recently, “If I ate a doughnut for every bad album that’s been commercially successful, I’d be fatter than that fattest person you know.”

READ FULL STORY »

Aug 30 2011 04:42 PM ET

Drake talks about making his upcoming album, growing as a rapper, and finding a mentor in Stevie Wonder: An EW Q&A

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Image Credit: Jason LaVeris/FilmMagic.com

The summer’s nearly over. But rap wiz Drake is feeling the heat. The deadline to submit the final version of his sophomore album, Take Care, is one month out. To say the least, it’s crunch time. Though, it seems he’s comfy in the clutch.

While holed up in his “quaint” Toronto studio recently, Drake checked in with EW to give us a progress report on the album, due on his birthday, October 24. Creatively, he says he’s “at a great place” and has a tons a recorded material to select from.

In the EW story on stands now, he gave us five recording rules to live by. Here, though, we get into the rest of the conversation—one that includes, among other things, how Jay-Z and Kanye West’s Watch the Throne album impacted his project, how his song with Stevie Wonder might make you shed a tear, and why you won’t hear him crying about his riches this go around.

ENTERTAINMENT WEEKLY: In what ways are you challenging yourself this album?
DRAKE: I push myself in a lot of aspects when I write a song. I write a piece and where most people would stop and say “Oh, that’s the hook right there,” I’ll move that to the first four bars of the verse and do a new hook. That makes the song easy to learn and catchy. That’s how I like to challenge myself. I’ll write something and everyone that’s around might be like “Oh that’s that hook right there.” And then I’ll write something better than that.

How many tracks are you shooting for here?
Obviously, I can only fit so many songs on a CD. So what I’m doing is there will be a Take Care physical edition in stores that’ll hopefully have 15 to 17 songs on it. Then I know a lot of people do deluxe editions. But since October 24 is a special day for me, I got, like, a Take Care birthday edition that I’m going to put on iTunes that will have extra songs. I really want to encourage people to be excited about the album releasing. I remember how excited a lot of artists used to make me. I used to want to buy the physical copy to see the artwork. And if there were any bonus tracks, I’d go find them. I’m definitely trying to cause some of that excitement. I hope people go get the songs off the birthday edition. It’s going to be great, man. I’ve got a wide array of music this time. I’m very excited.

Talk to me about your team. Who are the people who are helping guide you through the album?
There are about three or four major opinions that I respect. Obviously, the main one would be [engineer and producer] 40 (Noah Shebib). He’s worked with me every single night I’ve set foot in the studio since Comeback Season. He knows what I’m capable of and he’s not afraid to say “You can do that better” or “That’s it” or “I know you can write a better verse than that.” And Oliver El-Khatib, who has progressed from my friend who just used to advise me on how to dress to a guy who came up with the artwork for So Far Gone to, since he’s such a creative brain, that he’s become one of my managers. Then my DJ Future the Prince has a great ear for music. And probably the most important person in the equation is Hush, who is a friend of mine who grew up rapping in Toronto and he’s present every night. If anyone knows what I’m capable of, it’s Hush. We love rap the same way and we have the same exact ear. So I know he’s hearing what I’m hearing. I never take criticism personally from anyone. I love feedback, but especially when it comes to Hush. He understands rap probably better than anyone else I mentioned. And he’s a close friend of mine.

Rap has become like fast food. Fans want it quickly and a lot of it. It’s only been a year since Thank Me Later and your fans seem to be starving for Take Care. Do you think they’ve forgotten that artists need life experiences to craft their art? READ FULL STORY »

Aug 30 2011 03:06 PM ET

Beyonce's pregnancy reveal breaks Twitter record: Why do we care so much?

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Image Credit: Jeff Kravitz/FilmMagic.com

When Beyoncé unbuttoned her purple sequined jacket Sunday night at the MTV’s 2011 Video Music Awards and revealed that she has something baking in her oven—her first child, to be exact—the building roared in celebration.

If you weren’t at Nokia Theater L.A. Live to experience it in person, the next best thing was logging on to your choice social network and shooting off your reaction. For millions, Twitter was their first destination.

Techland reports that fans hopped on the medium to express their shock, happiness, and such at a rate of 8,868 tweets per second. That beats news of Osama Bin Laden’s death in May, which drew in 5,106 tweets per second, and the Super Bowl, which earned 4,064 tweets.

Crazy, right? The question is why did so many people care so much? Well, for one, people looooooove them some Beyoncé. She’s a major pop star who, unlike most of her peers, has managed to steer clear of celeb shenanigans. Add the fact that she’s married to Jay-Z, arguably the best rapper ever, and that they both keep the details of their life together on the hush-hush and bam, here’s the answer: We’ve never seen them so excited to let a secret out of the bag! Watch them let it go after the jump:

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Aug 29 2011 02:18 AM ET

MTV 2011 VMAs: What you didn't see on TV

The 2011 MTV Video Music Awards are in the books, and while the show as a whole felt a little scattered and unfocused, there were indeed some high points. Russell Brand, Tony Bennett, and Bruno Mars gave Amy Winehouse an excellent tribute, Beyoncé capped off a great performance with a nice little revelation about the future of her family, and Adele tore down the house with her stunning, jaw-dropping run through “Someone Like You.”

But there were a handful of amazing moments that happened between MTV’s rapid-fire camera cuts and commercial breaks. Luckily, I was inside the Nokia Theater at L.A. Live and can report the eight greatest things you probably missed during the show. READ FULL STORY »

Aug 28 2011 01:48 PM ET

Jay-Z and Kanye West making surprise VMA performance? They probably should have advertised that

Considering he has made the show so memorable in the past two years, and he also has an extremely high-profile album out and a tour to promote, it seemed a little bit strange that Kanye West’s name wasn’t on the guest list for tonight’s MTV Video Music Awards. But according to one report, West will be making a surprise appearance on stage with his Watch the Throne tag-team partner Jay-Z for a performance.

According to E!, the duo’s appearance has been kept deep under wraps (their seat-saving placards were missing during rehearsals this week), and according to those connected to the show, the slot was still up in the air (though some speculated that they could end up closing the show). READ FULL STORY »

Aug 25 2011 11:56 AM ET

Lil Wayne lyrically attacks Jay-Z and 'his lady' on leaked cut from 'Tha Carter IV': Will Jay answer?

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Image Credit: Kevin Winter/Getty Images

As of late, rap beef’s been more like tofu, with tired disses slung by subpar rappers to ramp up promo attention for an album.

That said, what Lil Wayne just got himself into is real, Grade-A rap beef—well-done steak even. Last night his new album Tha Carter IV (slated for release Aug. 29) leaked on the Internet. And there’s one track out of the bunch that’s generating huge buzz, because of a few shots he throws at rhyme titan Jay-Z.

On “It’s Good,” which also features Drake and Jadakiss, Wayne seemingly reacts to a perceived swipe Jay took at Wayne’s Cash Money label head Bryan “Baby” Williams on his “H.A.M.” collab with Kanye West at the top of the year.

“N—-s fantasize about the shit that I do daily/ Like these rappers rap about all the shit that I do really/ I’m like ‘Really half a billion, n—-?’/ Really, you got baby money/ Keep it real with n—-s, n—-s ain’t got my lady’s money,” Jay spits on the record.

Lil Wayne finally hit back on “It’s Good,” taking it a step further and threatening to steal Jay’s wife. “Talkin’ ‘bout baby money,” he asks on the cut. “I got your baby money/Kidnap your b—-, get that ‘How much you love your lady?’ money.” Ouch. By the way, talking about folks who aren’t even involved (ie: children, wives, parents, etc…) in battle is a low blow.

READ FULL STORY »

Aug 17 2011 03:18 PM ET

Kanye West and Jay-Z's 'Watch the Throne' breaks Coldplay's first week sales record, debuts at No. 1 on Billboard 200 chart

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Image Credit: Daniel Boczarski/Getty Images

Our critic may not have felt the vibes on Jay-Z and Kanye West’s Watch the Throne album. But with a record breaking iTunes debut and the top spot on the Billboard 200 albums chart, it appears many did.

The twosome’s collection, one that West refers to as “luxury rap,” broke Coldplay’s iTunes first-week sales record, moving almost 290,000 digital copies. Coldplay’s Viva La Vida Or Death and All His Friends sold 282,000 in 2008.

Within 24 hours of Throne dropping on Aug. 8, it was No. 1 on iTunes worldwide in 23 countries. And today, Billboard reports that Throne‘s complete opening sales (meaning both the digital and physical version, which bowed Aug. 12) is a kingly 436,078 units, making it no. 1 on the Billboard 200 albums chart.

It’s a huge victory for the two, who didn’t promote the album in traditional fashion. Really, they hardly promoted it at all. Outside of two press listening sessions (I attended one) and one New York radio interview, Jay and Kanye kept quiet. There wasn’t magazine cover or even a music video released before the album.

Still, the buzz behind the project was huge. And apparently, fans have not been disappointed.

Did you buy Watch the Throne? Glad it opened with these numbers? Let us know.

More on EW.com:
Jay-Z and Kanye West release ‘Watch the Throne’ ‘Otis’ video — Everybody’s all-American! Watch it here
Independent record stores protest Jay-Z and Kanye’s album-release shutout


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