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Tag: Let's Argue! (41-50 of 318)

Did Katy Perry just take a dig at Beyonce? You be the judge

Don’t expect Katy Perry to pay tribute to Beyonce anytime soon. Though the singer just performed a cover of Kanye and Jay Z’s “N—s in Paris,” when it comes to Jay’s better half, she’s apparently got some reservations.

The same day Perry performed her rendition of the track during a visit to BBC Radio 1, she purportedly made a dig at Beyonce and Shakira’s 2007 hit “Beautiful Liar.” Perry let her feelings about the song slip while discussing a possible collaboration with Rihanna. READ FULL STORY

Keith Richards apologizes to Mick Jagger for slamming him in autobiography

Is Keith Richards going soft in his autumnal years? According to Rolling Stone magazine, the guitarist has apologized to his band mate Mick Jagger for criticizing him in Richards’ bestselling 2011 autobiography Life.

The rare mea culpa appears in a forthcoming documentary about the band’s now half century-long career. “It was my story and it was very raw, as I meant it to be,” Richards says in the film, “but I know that some parts of it and some of the publicity really offended Mick and I regret that.”

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Rihanna feuding with Chris Brown's girlfriend? Let's examine the evidence

Is she a good Twitter girl gone bad? Rihanna has taken to the 140-character site to offer up a steamy image of herself on Wednesday — in which she strikes a strategically covered-up topless pose with the message, “Where have you been all my life?!”

The post has sent already-wagging tongues into overdrive, wondering if this is just another part of her alleged feud with Chris Brown’s current girlfriend, model Karreuche Tran.

Last week, the songstress tweeted a feasibly harmless but potentially offensive picture of a packet of rice cakes dressed up in hoop earrings and shades with the caption, “Ima make you my b****.” Rihanna’s followers made the obvious link to Tran, who is half-Vietnamese.

Then, when one of Rihanna’s followed asked her to save him some rice cakes, she responded with, “Kinda DRY.” Was it all a thinly veiled dig? Maybe. Maybe not.

On her “Birthday Cake (Remix)” single with Chris Brown, she does sing, “Come and get it / Sweeter than a rice cake / Cake worth sipping.” And anyone who has ever eaten a rice cake knows that yes, they can be dry.

While we were busy decoding Rihanna’s twitpic game, Karreuche retaliated with Nicki Minaj lyrics on her Facebook. “I win you loose!!! [sic] *nicki voice* I mean I got him, you got pictures of him” with a friend posting adding, “I’m Angelina, you Jennifer. C’mon, you see where Brad at.” Jab? Again, maybe. Maybe not.

Karreuche tweeted that she doesn’t even have a Facebook page, but that retreat didn’t seem to phase Rihanna, who fire back song lyrics from Minaj’s rival, Lil Kim: “I’m a leader, yall on some followin s—, comin in dis game on some modeling s—!”

Is this a full-on feud? It’s all still a mystery. Either way, it’s clear these two won’t be trading friendship bracelets and braiding each others’ hair anytime soon.

What do you think? Is this a war of words or is just some silly social-media back-and-forth?

Read more:
Rihanna and Chris Brown release simultaneous remixes, guest on each others’ new tracks 

The-Dream says Rihanna asked to collaborate with Chris Brown  

Miranda Lambert tells Chris Brown to ‘take notes’ during ‘Gunpowder and Lead’ performance 

Target takes jokey Whitney Houston greeting card off shelves

How soon is too soon?

It can be hard to tell sometimes when the joke came before the soon. Such is the case with a Whitney Houston-themed greeting card carried by Target before the diva’s Feb. 11 death and still on shelves that read:

“Next time you think of dating the bad boy, consider Whitney Houston. That’s all I’m going to say.”

The card has since been removed from Target’s shelves, the retail giant announced. The company also released a statement, saying:

“It is never our intent to offend guests with the products we offer, and we take feedback from guests very seriously. The card was in our stores prior to Ms. Houston’s death. As soon as this was brought to our attention, we began the process of removing the card from all applicable stores.”

But by no longer carrying the fairly distasteful, barely humorous card, Target has actually rocketed the item’s value, indirectly creating a rare new slice of Whitney Houston memorabilia. It shouldn’t be long ’til the card shows up on eBay.

What do you think, reader? Is the card just crass enough to be pulled from Target’s shelves now, or so crass that it should never had made it into the store in the first place? Let us know where Target falls on the bullseye.

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Michael Jackson's last album featured voice impostor, according to his daughter

Since the release of Michael Jackson’s posthumous album Michael, one question persisted: is it really him?

Many have speculated that MJ soundalike Jason Malachi actually performed vocal duties on at least some parts of the record, presented as a compilation of unreleased Jackson tracks. And as it turns out, one of Michael’s own children reportedly has her doubts.

According to TMZ, Jackson’s daughter Paris expressed her misgivings during a recorded video chat she had with her friends in 2010.

“It’s not him … the whole album isn’t even him!” TMZ says Paris Jackson said when asked why the main voice on “Hold My Hand” didn’t sound exactly like the King of Pop. “Go online … go on YouTube and look up Jason Malachi. That’s him [on the song]!”

The site alleges as well that Paris insisted on tape, “I should know if it’s him or not because he would sing to me all the time.”

TMZ claims that the video chat in question “is being shopped to various media outlets,” and that offers are on the table. Until the video itself surfaces, we’ll have to examine this longstanding claim by comparing “Hold My Hand” to one of Malachi’s more well-known songs:

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Lily Allen calls out Adele's Brit Awards interruption, says it's industry sexism

The Brit Awards have already sent their “deepest apologies” to a bird-flipping Adele for cutting off her big moment to make time for a reunited Blur performance, but some people still aren’t having it. Lily Allen is one of them.

The English pop singer came to her countrywoman’s defense on Twitter, writing “I’d rather hear adeles acceptance speech.”

Fair enough — after all, not everybody has to like Blur. But Allen then went on to suggest that the move represented larger issues of sexism at play:

“I can’t say I’m surprised. It was like the music industry’s attitude to women played out as a metaphor.”

An interesting allegation! But does it hold water? The Brit Awards organizer, for their part, pointed out in their statement that “the live show overrunning,” adding: “We don’t want this to undermine her incredible achievement in winning our night’s biggest award. It tops off what’s been an incredible year for her.”

A representative from ITV, which aired the ceremony, backed them up in a separate statement: “Unfortunately the programme was overrunning and we had to move on.”

Which sounds legitimate. We’ve certainly seen stars of all genders get played off the stage early, here and abroad. And when you watch the incident in question, the guy tasked with interrupting Adele looks far more terrified than he does anti-woman.

What do you guys think of Allen’s interpretation? Is Adele the victim of industry-wide chauvinism, or just poor planning? Take another look at the video below and let us know.

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Madonna breaks silence on M.I.A.'s middle finger: 'It's such a teenager, irrelevant thing to do'

Since we’re fast approaching the one-week anniversary of Madonna’s Super Bowl halftime show, it might be good to take some time to reflect on the events that transpired on that fateful evening — namely M.I.A.’s finger flash.

Madonna herself kicked things off this morning during her radio chat with Ryan Seacrest, her first interview since the big game.

While most people with Internet connections have already chipped in their two cents on Fingergate, Madge had stayed silent on M.I.A.’s “sneaky move” (Seacrest’s words), instead focusing on the promotional cycle for her upcoming album MDNA (out March 26).

“I was really surprised,” she admitted on On Air With Ryan Seacrest. “I didn’t know anything about it. I wasn’t happy about it.”

“I understand it’s punk rock and everything, but to me there was such a feeling of love and good energy and positivity,” continued Madonna, who ended her performance with a lit-up message touting world peace. “It seemed negative.”

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Who's afraid of M.I.A.'s middle finger? Thoughts on a Super Bowl 'scandal'

Hey, remember Nicki Minaj’s performance with Madonna at the Super Bowl last night? It was pretty good — great, even.

Of course, no one wants to talk about that, thanks to M.I.A. So congrats, Maya! And since she wants us to, let’s talk about it.

M.I.A.’s decision to flip the bird during her short time in the Super Bowl spotlight was a lot of things. It was juvenile, and maybe even bratty. It was a lazy bit of shock imagery from the woman who gave the Grammys a very pregnant, very awesome, middle-finger-free performance back in 2009. And it was, according to some sources, “a case of adrenaline.”

It was also the game’s biggest fumble: The singer was riding a steady stream of positive buzz from both her performance in the “Gimme All Your Luvin’” video and her own “Bad Girls” video, which was released the same day and is, at least to this viewer, a better, more inventive clip.

M.I.A. has already proven to us that she can put on an engrossing show without resorting to cheap tricks.

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Drake sued by ex-girlfriend for including voicemail in 'Marvin's Room'

What goes into the making of a good Drake song? Lots of things. Confessional lyrics, for example, a good beat, and probably an ample supply of cardigan sweaters.

Oh, and in the case of “Marvin’s Room,” an ex-girlfriend’s voicemail message.

That ex is now revealing herself to be Ericka Lee, and she’s suing the rapper to a bid to get partial songwriting credit (read: royalties).

According to the suit, Drizzy and Lee were creative partners, often co-writing songs and poems. “Plaintiff’s contribution is highly significant to the overall work,” the official complaint, filed in California, reads. One contribution they view as significant is her voice; the suit alleges that Drake in fact gave Lee vocal credit in the form of “Syren Lyric Muse.” The audio is now registered by the parties in the U.S. Copyright Office.

The suit also claims that Drake sent Lee texts saying things like “U basically made that song” and “It’s s–t without you.” And in another one of these messages, Drake apparently said he’d give the ex 2% of the publishing royalties? Which sounds like a pretty weird thing to discuss via text, but Drake’s a weird dude, so who knows.

It’s a strange situation all around, and it’ll be interesting to see how it develops. Really, though, it was a long time coming; given how often the guy calls out his exes by name on his albums, you’d imagine at least a few of them would be pretty peeved.

Anyway, until all of this gets sorted out, give the track another listen to hear exactly what Lee’s demanding compensation for:

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Who will Madonna have to top to be the best Super Bowl halftime show of all time?

This Sunday, in the midst of the war of attrition that will be Super Bowl XLVI, Madonna will roll her ridiculously ornate stage onto the field at Lucas Oil Stadium in Indianapolis and attempt to blow some minds for eight or nine minutes.

Madonna can certainly do it; she has the requisite deep catalog of hits, a theatrical approach to performing, and enough bold-faced numbers in her iPhone to unleash some surprises. “Give Me All Your Luvin’” probably won’t get the job done on its own, though luckily she has “Vogue,” “Holiday,” “Ray of Light,” and “Like a Prayer” in her pocket.

So who will she have to eclipse to get mentioned in the greatest Super Bowl halftime performances of all time? The modern era of Super Bowl halftime shows began in 1991 with New Kids on the Block, though outside of Michael Jackson’s absurdly huge performance in 1993, the early years were somewhat lacking in spectacle.

Things get better at the end of the ’90s, but the real entry into the modern era came in 2001, when producers brought together Aerosmith, Britney Spears, *NSYNC, Mary J. Blige, and Nelly for a jam-packed over-the-top run through the current pop chart.

After the notorious Janet Jackson incident in 2004, focus shifted again, mostly to classic rockers going over their greatest hits. Some of those were terrible (Tom Petty & the Heartbreakers), while others were merely underwhelming (the Who).

So who was the best? READ FULL STORY

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