Fresh off their name-checks in the Time 100, Adele and Rihanna have more kudos to brag about. They’re leading the pack of Billboard Music Awards nominees, along with Lady Gaga, LMFAO, and Lil Wayne. Adele scored 18 nods — including Top Artist, Top Female Artist, and Top Billboard 200 Artist — off the mega-sales of her album 21 and its lead single “Rolling in the Deep.” “Party Rockers” LMFAO will be in the house behind thanks to 17 nods. Rihanna could win up to 13 trophies, and Lady Gaga and Lil Wayne could be walking home with a lot of hardware, after netting 10 nods apiece. Usual suspects like Justin Bieber, Katy Perry, Coldplay, Nicki Minaj, and Bruno Mars are also among the pool of finalists. You can view the full list here.
Tag: Lil Wayne (31-40 of 101)
SXSW is no stranger to hip-hop, but this year, the red Solo cup truly runneth over. Jay-Z kicked things off on Monday, and the likes of Kanye West, 50 Cent, and Snoop Dogg followed suit.
And when a short week is so full of topline rap stars, sacrifices have to be made. Last night, for instance, provided quite the conundrum: Lil Wayne or T.I.? Their sets threatened to overlap, so a pros and cons list was in order.
Pros: Tip had the fresh-blooded MCs Wale and B.oB. opening for him; Weezy promised to bring along worthy vets Mystikal and Busta Rhymes.
Cons: T.I. and Lil Wayne.
In the end, though, it came down to one element: surprise factor. A top-of-the-game dude like Wayne is liable to pull hot acts like Nicki Minaj or Drake or, be still my beating heart, Rick Ross out of his jeggings. And since this was just one day after missing Kanye West and Big Sean’s surprise pop-up (poor 2 Chainz, by the way!), I knew I’d never forgive myself if I missed a potential Roman Zolanski appearance.
Did Lil Wayne’s underwhelming post-prison album Tha Carter IV leave something to be desired?
If you answered yes, then Dwayne Carter has a consolation prize for you: a memoir.
It was announced today that Gone Till November – a Weezy-penned account of his eight-month stint at Rikers — will be released by Hachette’s Grand Central Publishing division this November.
The rapper, who was sentenced in 2010 on a gun possession charge, will provide “an internal dialogue” based on diaries he apparently kept while serving his term, the AP reports.
“We are thrilled to be publishing Wayne’s prison memoir,” confirmed Grand Central Publishing’s Ben Greenberg. “He kept detailed journals of his inner and outer life while he was on Rikers Island, and they certainly tell a story. They are revealing.”
November will hit shelves November 28th, ensuring that rap fans will have a lot to be thankful for this holiday season.
Chris Brown, Busta Rhymes, and Lil Wayne win big at the BET Hip Hop Awards 2011
B.o.B returns with Lil Wayne-featuring cut about weed smoke : Listen to his new single ‘Strange Clouds’ here
Justin Bieber wishes Lil Wayne a happy 29th and covers his ‘How to Love’: Listen to his sweet acoustic version here
How does one sell nearly 50 million downloads in six years? By releasing nearly 50 million singles in six years.
Hyperbole aside, Nielsen Soundscan revealed that Rihanna is now the top-selling digital artist of all time (time here being about as old as the iTunes Store), having moved 47.5 million digital tracks since her 2005 debut.
This gives her a safe lead ahead of runners-up the Black Eyed Peas, who have 42.4 million digital tracks under their Tron belts, and Eminem, who ranks third with 42.29 million.
The Grammy-winning singer’s previous accomplishments include eclipsing Madonna to become the fastest artist to produce 20 Hot 100 top-10 singles, which she pulled off with “We Found Love.”
Of course, one might say RiRi breaks a lot of records largely by making a lot of them. Since 2005, the Barbadian chart beast has released six studio albums and an astonishing 27 singles — more than the BEPs and Eminem combined in the same amount of time.
The full list is below; see if you can count how many of them haven’t collaborated with Rihanna before: READ FULL STORY
Adele returns to the top of the Billboard 200, passes 4 million sales total; Casting Crowns scores top debut
After 35 weeks on the chart, Adele’s smash album 21, which has yet to leave the Top 5, rose back into the number one spot on the Billboard 200 this week, selling an additional 106,000 copies.
That number pushed 21‘s total to a whopping 4.1 million copies, by far the biggest selling album of 2011. All told, the “Someone Like You” singer has spent 13 non-consecutive weeks atop the chart this year. Now, if she could just fix those dang vocal cords!
Christian band Casting Crowns finished close behind in second place with first-week sales of their album Come to the Well at 99,000 copies. The band’s last album, 2009′s Until the Whole World Hears, got off to a stronger start with 167,000 copies sold, but to be fair, that disc still holds the record for the highest Christian-album debut in history. Come to the Well‘s 99,000 debut is nothing to cast a stone (or crown, for that matter) at.
In third place, Scotty McCreery continues to impress as his album Clear As Day dipped just 36 percent to 57,000. That gives the country balladeer three-week sales of 342,000. His runner-up, Lauren Alaina fell down to tenth place, dropping 63 percent in her second week to 26,000. Her record, Wildflower, has now sold 95,000 copies, which isn’t incredible, but it’s not half bad considering Alaina’s lead single, “Like My Mother Does,” only peaked at number 36 on the country chart. (Not all American Idol alums are as fortunate as these two…)
Last week’s chart-topper Evanescence falls back into fourth, as their self-titled third album fell 69 percent to 40,000. It has sold 167,000 after two weeks. Meanwhile ,Tony Bennett’s Duets II rises one spot into fifth place with another 39,000 copies sold. The 85 year-old crooner’s set has moved 434,000 copies in five weeks, and sales should remain strong through the holidays.
R&B singer Joe fared alright in his debut: His latest album, The Good, the Bad, and the Sexy sold 33,000 copies, good enough for eighth place. His 2009 set Alright started at number 7 with 49,000. Check out the top ten below: READ FULL STORY
Brown, who appeared via a pre-recorded video (watch below), won three awards, alongside his “Look At Me Now” collaborators Busta Rhymes and Lil Wayne, including Best Hip-Hop Video, People’s Champ Award, and the Reese’s Perfect Combo Award (which, as it turns out, is not so much about candy, as it is musical collaborations.)
Busta Rhymes, who was named the winner of the Sweet 16: Best Featured Verse, accepted the trophies on their behalf. Lil Wayne, who was also absent from last night’s show, walked away with two of his own BET Hip Hop Awards for both Best Live Performer and Lyricist of the Year. Click below for Brown’s video and a complete list of the night’s winners, including awards for Jay-Z, Kanye West, and Waka Flocka Flame. READ FULL STORY
B.o.B returns with Lil Wayne-featuring cut about weed smoke : Listen to his new single 'Strange Clouds' here
Now he’s gearing up for the release of his sophomore album, and today he dropped its lead single, “Strange Clouds.” If the title didn’t tip you off, the song’s about getting high and features an unlikely guest, Lil Wayne.
At another time in Weezy’s life, a verse about his love for herbal essence would make sense. Two years ago, he was one of the most lifted rappers out there. But now that he’s on probation due to his fairly recent release from prison, he’s banned from drinking alcohol and using drugs — marijuana included.
Granted, this is art, and he’s free to say whatever he wants. But it’s difficult for me to believe Wayne when he says he’s “smokin’ on that strong/ That Arnold Schwarzenegger.” He’s certainly not talking about a cigar.
B.o.B, who doesn’t have the eyes of the law on him, kicks the song off with some fun lines. “I’mma hit her with that pipe/ Call that Nancy Kerrigan,” he starts. “Stay on the greenest greens/ Call us vegetarians.” Listen to it after the jump.
When she’s not skyscraping, Demi Lovato is dealing with lower-altitude issues like, for instance, How to Love.
Saturday night found the newly revitalized teen star in a corner tryna put it together (or rather, onstage at Manhattan’s Hammerstein Ballroom) by turning Weezy’s slow-jam lullaby into a first-person confessional/uplift anthem.
“I am going to cover a song right now,” she told the crowd. “It’s by a rap artist, not a rap song, and it’s on the radio right now. Do you guys know what it is?” You do, Music Mixer! Because we just told you. But watch it here, after the jump:
The fall release schedule has only just begun, with plenty more massive albums coming over the next few months.
And label folks and artists alike must be breathing a sigh of relief, because the chart numbers suggest that people are interested in buying music.
Lil Wayne leads this week’s Billboard sales numbers. After notching the second-biggest opening week of the year (Lady Gaga’s Born This Way still holds tight to the top spot), Weezy moved another 219,000 copies of Tha Carter IV to keep the number one spot. Adele checked in at number two, likely buoyed by the success of the Hot 100-conquering single “Someone Like You.”
The two biggest stories on the chart come in at spots three and four. In the third-place position, George Strait sold 91,000 copies of Here For a Good Time, making it the week’s top debut. Strait’s numbers are sort of absurd: This is his 39th album, his 17th debut in the Billboard top 10, and the 24th time he has topped the Billboard Country Albums list. He’s had a pretty staggering career, though it should be noted that his opening week numbers are down a bit from his previous album Twang, which debuted on top of the albums chart with 155,000 copies sold.
Another release comfortable with the upper echelons of chart success came in at number four: the Beatles 1, the compilation of their 27 chart-topping songs originally released in 2000, moved 60,000 copies of its newly-remastered version. That’s sort of a drop in a bucket, as 1 has sold more than 31 million copies worldwide and was the top-selling album of the first decade of the 21st century. 1 also spent a total of eight weeks at the top of the albums chart at the end of 2000 and the beginning of 2001.
The only other big headline this week belongs to Maroon 5, whose 2010 album Hands All Over got a shot in the arm thanks to the success of “Moves Like Jagger,” which is on the just-released deluxe edition of the album. It came in at number seven this week, a jump from position 23 last week. Rounding out the top 10, Foster the People’s Torches returned to the first tier thanks to the continued love for “Pumped Up Kicks” (look for some more info on that song coming in this week’s episode of Entertainment Weekly).
This week’s new albums includes a number of excellent releases, though only the new album by Staind seems to have a shot at dethroning Lil Wayne. Who do you think will topple tha Carter himself in the coming weeks? Let us know in the comments.
Lil Wayne's 'Tha Carter IV' sells 964,000 copies, lands second-highest first-week numbers of the year: Is he really the 'best rapper alive'?
Okay, let’s answer the headline’s question first: No, Lil Wayne is not the best rapper out right now. In my mind, Eminem, Jay-Z, and Kanye West are duking it out for that crown. He is, however, the most popular.
Yesterday Billboard reported the final first-week tally for his new album Tha Carter IV. It sold 964,000 copies, making it the best selling hip-hop debut of the year and the second biggest opening week overall—second only to Lady Gaga’s Born This Way, which moved 1.11 million copies.
Wayne’s no newbie to colossal numbers, either. The last edition of his Carter series scored big with 1.01 million records sold in its first seven days on shelves in 2008.
Wayne’s C-4 debut more than doubles the opening figures rap peers Kanye West and Jay-Z’s collab album Watch the Throne (436,000), causing the blogosphere to come to the rash conclusion that Wayne, as he’s said often before, is “the best rapper alive.”
Really? Sure, numbers mean plenty. But as I so eloquently wrote in under 140 characters on Twitter recently, “If I ate a doughnut for every bad album that’s been commercially successful, I’d be fatter than that fattest person you know.”
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