Tag: On the Scene (21-30 of 61)

Sep 1 2011 01:49 PM ET

Lenny Kravitz brings 'Black and White America' to New York City's Terminal 5: EW on the scene

Lenny-Kravitz

Image Credit: Mike Coppola/Getty Images

Lenny Kravitz’s band is no letdown in the cool department.

The crew’s lone lady sports a shaved head and taps her shoeless feet while shredding her guitar. The horn section follows suit. One member rocks well tailored, yet unkempt dreads. Another, like his lead man, has a mini ‘fro. While the second guitarist resembles Sideshow Bob—but in a “I’d hang out with him” way. All look like if weapons replaced their instruments, they’d be equally capable of defending our planet from the end of days.

Kravitz is captain, of course. And last night at New York City’s Terminal 5, he and company tore it down. The twenty-year veteran dropped his ninth album, Black and White America, Tuesday and he was the evening’s headliner of the Samsung AT&T Summer Krush concert.

Ever the sex symbol, he made ladies squeal upon his arrival. In sunglasses, a fitted black shirt, leather pants, and boots, Kravitz wasted no time getting to his classics. Watch him perform “American Woman” after the jump:

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Aug 29 2011 02:18 AM ET

MTV 2011 VMAs: What you didn't see on TV

The 2011 MTV Video Music Awards are in the books, and while the show as a whole felt a little scattered and unfocused, there were indeed some high points. Russell Brand, Tony Bennett, and Bruno Mars gave Amy Winehouse an excellent tribute, Beyoncé capped off a great performance with a nice little revelation about the future of her family, and Adele tore down the house with her stunning, jaw-dropping run through “Someone Like You.”

But there were a handful of amazing moments that happened between MTV’s rapid-fire camera cuts and commercial breaks. Luckily, I was inside the Nokia Theater at L.A. Live and can report the eight greatest things you probably missed during the show. READ FULL STORY »

Aug 11 2011 11:33 AM ET

On the scene: Celine Dion live in Las Vegas. Holograms, Michael Jackson, and more!

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Image Credit: Gerard Schachmes

Back in March, when Celine Dion’s new show “Celine” opened in Las Vegas, my colleague Tanner Stransky posed a very important question: Will you make it to Sin City to see it?

As a huge (non-closeted) Celine fan, I gave a resounding “yes!” and began my Celine countdown. To say I was excited would be an understatement. So I rounded up some travel partners (otherwise known as my mom and grandmother), and we left for Sin City with only one thing on our agenda—see Celine live at The Colosseum at Caesars Palace. (Seriously. We had no other plans.)

Before the show started, I chatted with a publicist for The Colosseum who told me, “well, if you’re already a Celine fan you’re going to love the show. You’ll laugh. You’ll cry. It will be great.” I figured I’d enjoy the show. But laugh and cry? Probably not. Famous last words…

I had seen Celine once before on her Taking Chances World Tour, and she sang only her own music, so I was pleasantly surprised that last night’s show included a number of non-Celine classics. She opened the show with Journey’s “Open Arms,” then took it way back to the basics with her “Where Does My Heart Beat Now,” got the crowd to sing along at her request to “Because You Loved Me,” and then went right into “It’s All Coming Back To Me Now.” I’m so used to botching this song during karaoke, it was refreshing to hear it as it’s meant to be heard. She finished off the first set of songs with “I’m Your Lady.” Yes you are, Celine. Yes you are. READ FULL STORY »

Jul 22 2011 01:55 PM ET

Rihanna gets LOUD at New Jersey's Izod Center with surprise guest Jay-Z: EW's live review

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Image Credit: Kevin Mazur/WireImage.com

Last night, Rihanna and her LOUD  Tour stopped at New Jersey’s Izod Center.

The red-headed pop vixen packed the venue, running through about two hours worth of hit records, starting with “Only Girl (In the World)” and capping things off with fan favorite “Umbrella.”

A Rihanna show feels less like a traditional concert and more like a party. There were hot girls and a goofy pillow fight, and nothing felt overdone or too planned. There were a few choreographed dance sequences, but she mostly spent the evening shimmying, winding, and skipping along.

As opposed to giving the standard review, I’m opting to break it down into three categories: Sex, Singing, and the Surprise. After the jump, find out how naughty Rihanna got, if her island-coated vocals were any good, and how ape-nuts the crowd went when she brought out rap titan Jay-Z.

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Jul 17 2011 07:00 AM ET

Paul McCartney rocks Yankee Stadium with epic concert, duets with Billy Joel: On the scene

Paul-McCartney

Image Credit: Neilson Barnard/Wireimage.com

“When I’m Sixty-Four” was conspicuously absent from Paul McCartney’s set list during his two concerts at Yankee Stadium over the weekend. No wonder. At 69, rock & roll’s most easygoing revolutionary is jamming harder than ever. EW was on the scene at the Saturday show, a nearly 40-song set which also featured some Empire State musical muscle in the form of a certain Bronx-born piano man.

McCartney’s nearly two-hour and 45-minute extravaganza spanned his output from the past 50 years. Chronological hodgepodge was clearly his goal from the outset, opening with late Beatles psychedelic tripper “Magical Mystery Tour,” followed by Wings shout-anthem “Jet,” and then early Beatles Dorian-scaled “All My Loving.” READ FULL STORY »

Jun 16 2011 11:50 AM ET

Darren Criss live: A very Potter experience, featuring Warblers and Naya Rivera

Darren-Criss

Image Credit: Lester Cohen/Getty Images

Tonight, Darren Criss will join his Glee cast members for a performance at the 20,000-seat Izod Center in East Rutherford, NJ for the latest stop on the group’s gigantic summer tour.

But last night, the singer took to a much smaller stage at Irving Plaza in New York City for a solo performance that was as charmingly aimless as it was enjoyable and star-filled. Among the cameos? Criss’ Warbler brothers, Naya Rivera, and Lauren Lopez from Team Starkid’s A Very Potter Musical.

Early on during the show, Criss told the audience to expect three things: a flexible set list (which he said he would make up as the show progressed), a few incidents  of forgotten lyrics, and big guests. READ FULL STORY »

Jun 14 2011 04:06 PM ET

NKOTBSB at IZOD center: Crotch grabbing, happy fans, and...Naughty by Nature?

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Image Credit: George Pimentel/Getty Images

“It took us 14 years but we did it,” a girl said to her friend, as waves of women filed out of the IZOD center in East Rutherford, NJ, last night after nearly three hours of musical time travel (two stops: 1989 and 1999) courtesy of NKOTBSB, a.k.a. New Kids on the Block + Backstreet Boys.

It hadn’t been long since I last indulged my inner teen; I attended my fourth Backstreet Boys concert at Hammerstein Ballroom last year. But last night’s supergroup affair was, frankly, super. And though the crowd was comprised of more New Kids fans than Backstreet, it didn’t damper the show.

I had heard of some tour stops turning sour because of fan wars, but there was no such pettiness last night—thanks mostly, I believe, to the concert’s structure. After a intro with both groups, New Kids came on stage with “Summertime,” and Backstreet followed with “The Call.” Then New Kids returned with “Dirty Dancing” and so on. The tag-team performances were jarring at first, but if in doing so their intention was to bridge the gap, then mission accomplished. This Backstreet fan left the show a little bit more of a New Kids fan than I was when I walked in. READ FULL STORY »

Apr 25 2011 02:55 PM ET

'God Bless Ozzy Osbourne': New documentary presents the life, art, and addiction of the metal madman

God Bless Ozzy Osbourne, a documentary about the life and times of the Prince of Darkness, premiered at the Tribeca Film Festival this Sunday.

What could have been a glossy, fawning tribute to the most visible face in heavy metal music history—especially considering it was co-produced by his son, Jack—actually turned out to be a remarkably evenhanded look at Ozzy’s monumental musical influence as well as his less exemplary life as an addict and often-absent father.

The rock doc starts with Osbourne’s poor childhood in the cramped quarters of inner-city Birmingham, England, and goes up to his long-sought sobriety following the end of the water-cooler fodder reality series The Osbournes.

In Ozzy’s own words, “nothing really happened” in his life until he first heard the Beatles. “It was like someone had turned the world on to me,” said the Ozzman regarding his first exposure to “She Loves You.” “I knew I was going to be a rock star the rest of my life.” (Speaking of Beatles, Sir Paul is one of the numerous interviewees paying tribute to Ozzy’s impact). READ FULL STORY »

Apr 25 2011 02:34 PM ET

Puff Daddy and his old family steal Diddy-Dirty Money's Coming Home New York City show

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Image Credit: Steve Mack/WireImage.com

He may not be the best rapper in the game, but boy, Diddy can throw a party.

Last Friday (April 22) he and his Dirty Money crew‘s Coming Home Tour stopped at New York City’s Hammerstein Ballroom. It was literally a homecoming for Diddy, a Harlem native.

So instead of the refined and rehearsed offering several other cities likely received during the tour’s run, Diddy gave his hometown more, pulling several guests on stage and making it less of a Diddy-Dirty Money show and more of a nostalgic review of his Bad Boy Records heyday.

Diddy, along with DM singers Dawn Richard and Kalenna Harper, performed a few cuts from their Last Train to Paris early on. Diddy emerged dipped in white from head to toe and the trio performed “Ass on the Floor,” “Yeah, Yeah You Would,” “Yesterday,” and even an emotional medley of Sade’s classics, including “No Ordinary Love.”

Surprisingly, Diddy seemed a bit nervous up there at the start—as if uncertain of his Dirty Money material. To his credit, Train is an experimental hip-hop album we loved. Although as far as sales are concerned, it’s not a fan favorite (released last December, it hasn’t gone gold yet). And the audience’s halfhearted responses to their solid opening half hour proved as much.

But as he slid into the next portion of his set and the girls left, so did his nerves. After a roll call of the city’s boroughs, Diddy stopped to introduce Queens icon and A Tribe Called Quest rhymer Q-Tip, who brought the crowd to life with “Check the Rhime” and his solo banger “Vivrant Thing.”

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Apr 21 2011 03:01 PM ET

Elton John premieres Cameron Crowe-directed music doc starring himself and Leon Russell, plays the hits at Tribeca Film Festival

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Image Credit: Joseph Guay

Surrounded by the after-hours glow of Lower Manhattan skyscrapers and buffeted by winds rolling in off of New York Harbor, Elton John wrapped up the opening night of the tenth annual Tribeca Film Festival with performances of such evergreen Elton classics as “Tiny Dancer,” “Rocket Man” and “Your Song.”

His solo piano performance followed the world premiere of Cameron Crowe’s The Union, a music documentary that followed Sir John and legendary rock pianist Leon Russell as the two Rock Hall of Famers recorded an album together last year.

The Union turned out to be a pleasantly affecting surprise. What could have merely been a music doc about two aging rockers recording a late-career album was instead a heartfelt, decades-belated love letter from Elton John to his early career idol and one of his greatest influences, Leon Russell. Plus, it was fun to watch the flick sitting behind a group that included the uncommonly talented actors Anna Kendrick (Twilight, Up in the Air), Paul Dano (There Will Be Blood), and Zoe Kazan (It’s Complicated). Kendrick’s eyes were glued to the screen while Dano and Kazan were smoochily glued to each other—that’s what the PortaPotties are there for, you crazy kids!) READ FULL STORY »

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