Tag: Paramore (1-10 of 21)

Apr 17 2013 12:32 PM ET

Paramore unseats Justin Timberlake to top albums chart, Brad Paisley trails at No. 2

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Maybe Hayley Williams will save rock and roll before Pete Wentz has a chance to.

Nielsen SoundScan reports that Paramore’s self-titled fourth album has nabbed the top spot on the Billboard 200 in its debut week, selling 106,000 copies — more than enough to overtake Justin Timberlake’s reign. This marks the pop-punk band’s first No. 1 album; their last record, 2009′s Brand New Eyes, topped out at No. 2, with 175,000.

Not far behind the Tennessee trio is Brad Paisley (who, coincidentally, lives in Paramore’s hometown of Franklin). The country singer’s Wheelhouse placed at No. 2, with a 100,000 first-week performance. This is the fourth time a Paisley album has opened at second place, which, according to Billboard, means he now shares with Sheryl Crow the dubious honor of having the most No. 2 albums without a No. 1. Looks like LL Cool J’s “Accidental Racist” cameo just wasn’t enough to give Wheelhouse that extra boost. READ FULL STORY »

Apr 9 2013 05:06 PM ET

Paramore's Hayley Williams on new album, moving to Los Angeles, and Blondie

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Image Credit: C Flanigan/FilmMagic

In December 2010, Paramore members Josh and Zac Farro abruptly left the group, leaving a lot of questions hanging in the air. Would they continue on? Would charismatic singer Hayley Williams embark on a solo career? Would the band’s sound change completely?

Today, those questions are finally answered. The just-released Paramore, the band’s fourth album, pushes the now-trio’s vision forward. Though the band—Williams, guitarist Taylor York, and bassist Jeremy Davis—hasn’t entirely left its snotty pop-punk roots behind, they’ve fully embraced elements of New Wave, garage rock, and bubbly electro-pop.

The key to Paramore‘s coherence is Williams, whose voice has picked up more colors and whose lyrics are at their most direct and expansive on the new album. EW caught up with Williams via phone a few weeks back, where she talked about her bouts of writers’ block, the weirdness involved in choosing a producer, and the importance of the Warped Tour. And be sure to check out their just-released video for “Still Into You” at the bottom.

Entertainment Weekly: What was the first song that came together for Paramore?
Hayley Williams: “Proof” was the first song that we came up with. It was one of the first sets of lyrics I came up with, and I had this melody idea for it and I took it to Taylor, and like the next day we had the song. So that one came really easily, but then we had two and a half months of the worst writers’ block you could possibly imagine. That’s when we wrote the interludes. We needed something to laugh about and soften the blow that we couldn’t write any songs that we loved. And it was weird, because as soon as those interludes were done, the songs started happening. We realized we don’t need to take ourselves so seriously.

What was driving that writers’ block? What were you thinking while in the midst of it?
I was in this crazy depression about it. READ FULL STORY »

Jan 22 2013 12:11 PM ET

Paramore release new single 'Now': Hear it here

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What does Paramore look and sound like in 2013? “Now” we have an answer.

Following the defection of the Farro brothers in December 2010, many wondered what the band would sound like without two of the components who made songs like “Decode” and “Misery Business” into huge hits.

Last year’s “Singles Club” releases (“Renegade,” “Hello Cold World,” and “In the Mourning”) suggested little, but the band’s just-released new single “Now” certainly suggests what the future might hold for the band.

“Now” thumps and grooves like the Paramore of old, but the intro tosses in some noisy grinding that makes it sound like the Yeah Yeah Yeahs, and there’s some keyboard tossed in there for some neo new-wave fun.

The hook isn’t quite there on early listenings, but it’s good to hear singer Hayley Williams wrapping her expressive pipes around another stout survivor’s anthem.

Check it out below:

READ FULL STORY »

Mar 2 2012 04:42 PM ET

Singles Swap: EW's picks for new music you'll love

Welcome to the second online edition of Singles Swap (see the first one here), which until recently has only appeared in the print edition of Entertainment Weekly.

Read on below as we recommend songs similar to the ones you already love.

Jessie J ft. B.O.B.: “Price Tag”
It’s not about the money, money, money, says this sunny (sunny, sunny) pop manifesto. READ FULL STORY »

Sep 19 2011 11:13 AM ET

Taylor Swift teams with Hayley Williams in Nashville for 'That's What You Get': Watch it here!

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Image Credit: Frederick Breedon IV/WireImage.com

One of the highlights of Taylor Swift’s massive Speak Now tour is the portion of the show that finds her covering songs by artists who hail from whatever city she happens to be playing in that night.

When she made her way to Newark, New Jersey, she whipped out Bon Jovi, while Detroit was treated to Eminem’s “Lose Yourself.” And who could forget the massive singalong to Tal Bachman’s “She’s So High” in Toronto?

On Friday night, Swift played Nashville, the town she currently calls home and the origin point for most of the country world. Would she choose a country classic to cover, or would she go meta and cover one of her own songs?

Ultimately, she called on Paramore singer and fro-yo pal Hayley Williams, who joined Swift on stage for a run through Paramore’s “That’s What You Get.” This news positively delighted everybody in the crowd, as Williams got a massive crowd pop when she was announced.

Were they excited to see her team up with her famous friend, or were they just really into her crazy bedazzled fanny pack? Decide for yourself by watching the video after the jump. (It’s a little shaky, but it settles down eventually, and the sound is good.) READ FULL STORY »

Sep 8 2011 02:07 PM ET

Paramore debuts new song 'Renegade' at New York City concert: Watch it here

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Image Credit: Roger Kisby/Getty Images

What does teen spirit smell like? Well, it has many scents—some pleasant, others not so much.

On a rainy Wednesday night in New York City, scores of damp youngsters piled into Terminal 5 to see punk group Paramore as they celebrated the 15th anniversary of their record label Fueled By Ramen.

In a black sleeveless shirt and pants patching her blazing red hair, lead singer Hayley Williams so sweetly raged the night away. Songs like “That’s What You Get,” “Ignorance,” and an encore of “Misery Business“– where Williams brought up a dirty-blond Pennsylvanian fan to scream the “Oh, it was never my intention to brag” hook– drove the crowd wild.

Mix loud live Paramore tunes with adolescent energy and you get an odor that smells something like a herd of steamy, wet German shepherd puppies.

One cut that particularly made them bark and their shaggy heads bop was a new song they performed. Williams cautiously introduced it.

“This next song, we have never, ever, ever played before. And sometimes this happens and it goes wrong,” she began after changing into a leopard tank top. “I just need you guys to have fun anyways. We’ll be putting this song online for you guys to have as soon as we can, as soon as possible. We’re working on it. It’s called ‘Renegade.’”

Watch them perform it after the jump:

READ FULL STORY »

Jul 18 2011 03:58 PM ET

Paramore get a little crazy for 'Monster' video: Watch it here

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Image Credit: Jonathan Shensa/PR Photos

If you’re one of the many thousands who paid an exorbitant amount of money to watch Shia LaBoeuf stare at digital robots for nearly three hours in Transformers: Dark of the Moon, then you’ve probably heard Paramore’s “Monster” played over the credits (that’s provided that your sensory apparatus wasn’t completely fried and your organ systems weren’t going into shutdown).

It’s a pretty swell tune, though it doesn’t have a whole lot to do with Optimus Prime’s giant Chicago-killing sword or that silly space bridge that Leonard Nimoy wants to build. (If you don’t understand any of that, it means you haven’t seen Dark of the Moon and remain tethered to this realm of reality.)

Now the band—currently a three-piece following the departure of brothers Josh and Zac Farro—have pulled back the curtain on their own cinematic accompaniment for “Monster” in the form of a good old-fashioned music video.

It features an abandoned hospital, some cool effects, and Hayley Williams’ extra-electric hair, and it’s yours for the viewing here: READ FULL STORY »

Jun 3 2011 06:44 PM ET

Paramore releases 'Monster' for 'Transformers' movie: Is the now-trio dissing their departed bandmates?

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Image Credit: Jonathan Shensa/PR Photos

Although “Monster” is the first official single from Paramore following the acrimonious departure of founding members Josh and Zac Farro, you wouldn’t be able to tell the band is two members short just from listening.

The remaining trio stays the marketably melancholy course on this song for the Transformers: Dark of the Moon soundtrack.

“Monster” is exactly the kind of dark, tightly-constructed emo you would expect from Paramore. Sure, it’s a tad sludgier than their usual fare, but the crisp, angular guitar work keeps the track from sounding too close to ’90s alt-rock.

The most interesting thing about this single, however, are the lyrics: My (conspiracy) theory is this song is about airing rock stars’ dirty laundry, and not Robots in Disguise. Listen to it here: READ FULL STORY »

Jan 4 2011 05:34 PM ET

Paramore responds to departing band member's exit statement: 'Yeah, it hurts'

Hayley-WilliamsImage Credit: Michael Buckner/WireImage.comIn music, there are quiet, no-fault divorces, and then there are splits like Paramore’s: the unpretty kind. After remaining members Hayley Williams, Jeremy Davis, and Taylor York announced the departure of brothers Josh and Zac Farro (the group’s guitarist and drummer, respectively) on Dec. 18 in a blog post littered with upbeat phrases like “We look forward to our best times, and we hope you will go there with us,” things quickly devolved.

In a lengthy screed posted to his own personal blog, Josh Farro painted a far less harmonious picture of the split, one instigated by Atlantic Records, Williams’ family, and her management controlling and misusing the band’s other members for her singular benefit. READ FULL STORY »

Dec 22 2010 01:01 PM ET

Josh Farro on Paramore departure: 'We've always been treated as less important than Hayley.'

ParamoreImage Credit: RD/Kirkland/Retna LtdSeems being part of Paramore was “Misery Business” for recently departed band members Josh and Zac Farro. A few days after Paramore confirmed that their guitarist and drummer had quit the band via its official site, Josh took to his blog to share why the two members had decided that they belonged to Paramore no more. And they seemed to have settled on a scapegoat: Frontwoman Hayley Williams.

The long post, which chronicles how Williams’ manager and family have controlled the band since its formation, claims Paramore’s band members were always forced to play second banana to the singer. “Her dad would constantly threaten to ‘pull the plug’ on the whole band if we complained about anything, suggesting that we were hired guns and Hayley was the real artist, when in reality we were also part of the band,” Farro writes. “We’ve always been treated as less important than Hayley … We toured for two-and-a-half years building our fan base, pretending to be a band that started naturally. In reality, what started as natural somehow morphed into a manufactured product of a major label, riding on the coattails of ‘Hayley’s dream.’”

Farro also shared grievances regarding the band’s songwriting process: READ FULL STORY »

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