Behind every great lady there’s a great man singing behind her — at least that was the case for most of this week’s Jukebox. In one instance, there was even a man singing as a lady (welcome back, Glee!). This week saw one particularly untrustworthy B—- in Apartment 23, a new slew of Girls, a masseuse with a heart of gold (The Client List), and a Scandal-ous Beltway fixer with brass… well, you get where I’m going. To paraphrase the great Aretha Franklin, sisters were doing it for themselves — with the help of artists as diverse as The Clash, Sleigh Bells, Paddy Casey, and Otis Redding, of course. Check out our picks below, and make sure to click through to the last page to listen to all the songs in our customized Spotify playlist. (Warning for those still catching up on DVR: SPOILERS ahead!) READ FULL STORY
Tag: Soundtracks (91-100 of 224)
Soundgarden's new 'Avengers' single 'Live to Rise' -- their first in 16 years -- available as free download today
The last time Soundgarden wrote and recorded a new song together, Bill Clinton was president and Independence Day was the top-grossing movie at the multiplex. (“Black Rain,” the “new” song from the band’s 2010 release Telephantasm, doesn’t count, since it dates all the way back to the Badmotorfinger era.)
But that was 1996. Since another relic from that year is suddenly walking around again, why wouldn’t the newly-revived Soundgarden get back together for a new single for the soundtrack to the all-superheroes-on-deck action flick The Avengers?
That very thing exists now. “Live to Rise” has been floating around the Internet for a minute, but now it has been officially released and will be available for free on iTunes starting today until next Tuesday, April 24.
So has anything changed in the 16 years between original Soundgarden compositions? READ FULL STORY
Old-school tracks were the name of the game more often than not these past few weeks. Whether your definition of “old-school” translates to proper Mad Men-era tunes heard on the AMC hit, Scandal, and Supernatural, or ’80s classics as seen on Happy Endings and One Tree Hill, this week’s Jukebox offers up a retro rave fit for anybody. Of course there were plenty of contemporary jams, too: MCs from London and the Bronx on Breakout Kings, CSI: NY, and 90210, TV darlings Sleigh Bells on The Vampire Diaries, and Portland indie rockers Novosti on Missing, plus “show tunes” from GCB and Gossip Girl. Check out our picks below. (Warning for those still catching up on DVR: SPOILERS ahead!)
It’s written by a dude named Chris who is on an ongoing quest to decide which film released between 1990 and 1999 is the most ’90s movie of all time. He uses a handful of rotating criteria, like whether or not the plot of the film could be executed using today’s technology and social customs, the extreme ’90s-ness of the fashion, the use of outdated technology (like pagers and gigantic laptops), and whether the stars of the film are inextricably linked to the decade.
“The Quest” has been going on for a year, but I was so enamored of the idea that I ran through dozens of posts in a single afternoon, internally debating the merits of the scoring system and trying to decide whether or not Angelina Jolie is tethered to any particular era (and even if she isn’t, Hackers is still a paragon of ’90s-ness).
Top scoring entries so far include Don’t Tell Mom the Babysitter’s Dead (major points based on the impossibility of the plot in today’s technological landscape), Clueless (obvious nods to several different levels of fashion as well as the Mighty Mighty Bosstones), and Encino Man (a winner just based on the presence of Pauly Shore, perhaps the most ’90s a person has ever been).
That walk down memory lane appealed to me not only because I have so many personal memories tied up in movies like Happy Gilmore, Mallrats, and I Know What You Did Last Summer, but also because ’90s film soundtracks are about the only compact discs I still buy.
Whenever I’m in a used record store (especially in a city I’ve never visited), my first stop is always the soundtracks, where incredible relics like Twister and Batman Forever live in permanently unloved rotation. I’ve amassed a pretty thorough collection that acts as a remarkable summation of the times — especially the ones that were clearly curated to appeal to fans of the associated movies (and the ones that weren’t are even more mind-blowing).
So naturally, I started thinking: What ’90s movie soundtrack is the most ’90s? READ FULL STORY
The teens were out in full force this week, music-on-TV fans! From first times to first loves — even first scooters — there were notable songs from The Secret Circle, Switched at Birth, Surburgatory, The Vampire Diaries, and Pretty Little Liars. Meanwhile, there was beauty in tragedy on One Tree Hill, The Voice makes it first appearance with a knock-out performance, suspicion ruled on Grey’s Anatomy and Grimm (though only one of the above involved fire dancing I’m sorry to report), a serial killer got his groove on in BBC America’s Being Human, and the gang from Happy Endings got gangsta with it on Penny’s birthday. Want more still? We also liked “show tunes” from Ringer, Californication, and The Good Wife. Check out our picks below. (Warning for those still catching up on DVR: SPOILERS ahead!) READ FULL STORY
Rainy days and Mondays may have gotten Karen Carpenter down, but the rain washes away old heartbreaks for at least a couple of our favorite characters in this latest TV Jukebox.
A pathetic fallacy of a rainstorm made for a new lease on love in this week’s How I Met Your Mother, and a downpour was key to an impromptu proposal on Parenthood — though, thankfully, not on Cougar Town; otherwise they’d still be cleaning up the wet toilet paper!
Elsewhere, crazy dreams came true on Smash and American Idol, paint went splat for science’s sake on CSI, and sexytimes abounded on Nikita and Being Human. That’s without mentioning the “show tunes” from Glee, House of Lies, Private Practice, Body of Proof, Fringe, and Hart of Dixie. Click through to see our picks. (Warning for those still catching up on DVR: SPOILERS ahead!) READ FULL STORY
Last week, an initial list of songs slated for the upcoming Hunger Games soundtrack landed online — and it turns out that information was actually incomplete.
But worry not, Mockingjay-pin possessors! EWs’s got the final, for-real tracklisting here, with some very interesting new additions:
The Grammy Awards on Sunday night brought Taylor Swift a pair of victories (Best Country Solo Performance and Best Country Song, both for “Mean”), a memorable performance (on some sort of hillbilly junk-drawer set), and a special seat next to Little Red Riding Hood.
But that was yesterday! Today, Swift moves forward with her next chapter: The video premiere for “Safe & Sound,” her collaboration with Civil Wars that will be appearing on the soundtrack to The Hunger Games. It’s a new dimension for Swift, who seems to have fully embraced the slightly more ragged aesthetic of her collaborators (who also acquitted themselves quite nicely on Grammy night, resulting in a big sales spike for their album Barton Hollow on iTunes today).
Their spare, haunting tune is the kind of song that demands a video full of fireside glow and American Gothic overtones. Luckily, that’s exactly what the clip is: Civil Wars harmonize warmly while Swift wanders a gorgeously-rendered wasteland full of spooky abandoned wells and ungulates who turn to ash. Give it a look below. READ FULL STORY
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