Longing looks, flashy performances, relationships that went to the next level, and the story of a man who really should have worn a cup to the tennis courts. All of these were told through music this past week. So, if you’ve been wondering “What’s that song?” while watching your favorite shows, we’re here to tell you. Check out our picks and the Spotify playlist below. (Warning for those still catching up on DVR: SPOILERS ahead!) READ FULL STORY
Tag: Soundtracks (51-60 of 245)
Apologies for the brief disruption last week, Jukeboxers, but I return bearing the gift of a double-stuffed column full of babymakers, creepy creepers, club jams, and retro classics. So, if you’ve been wondering “What’s that song?” while watching your favorite shows, we’re here to tell you. Check out our picks and the Spotify playlist below. (Warning for those still catching up on DVR: SPOILERS ahead!) READ FULL STORY
Stop whatever you are doing and listen to The Great Gatsby soundtrack, which is streaming in full over at NPR days before its May 7 release. The album arrives pre-buzzed, thanks to behind-the-scenes work from Jay-Z and a series of tracks from a series of high-wattage artists such as Florence + The Machine, Beyoncé, Fergie, and Jack White.
What results is very good (Lana) and very bad (Florence) and very, very interesting, as is the nature of projects that overflow with talented people all working at once. Also: very period. If you didn’t know the movie is set almost 100 years ago, the soundtrack shouts it out at you, all honking brass and a preference for tempos that slide up the scale like liquor, getting hot just as they hit the chorus. It’s Baz Luhrmann’s costume party-version of the ’20s. But it’s fun! Also sad! (People have a way of dying in Gatsby.) Talking points from the 14-track soundtrack:
She’s no Beyoncé, but she does have her own accent aigu in her arsenal.
As previous tracklists and snippets have suggested, Emeli Sandé teams up with the Bryan Ferry Orchestra to cover Queen B’s “Crazy in Love” for the getting-more-bonkers-by-the-day Great Gatsby soundtrack. And now that the full song has hit the web, you no longer have to guess at how old-timey it sounds.
Speaking of which, how are we to reconcile the lyric “Got me hoping you’ll page me right now” with the Great Gatsby‘s 1920s setting? Maybe by telegram? Or are we overthinking this?
Yes, yes we are. Allow us to shut up while you listen to Sandé and Ferry take on “Crazy in Love”:
This week, Glee pays homage to music legend Stevie Wonder in an episode appropriately titled “Wonder-ful.”
EW is exclusively premiering three(!) tracks from this week’s episode, including a cover by returning guest star Kate Hudson of Wonder’s “Uptight (Everything Alright).”Listen below, Gleeks:
Remember a year ago, when the Internet couldn’t shut up Lana Del Rey’s debut, Born to Die? The lovers and haters may never reconcile, but she’s still out there feeding the music-blog machine.
Case in point: This morning, Del Rey pulled back the curtain on “Young and Beautiful,” her contribution to the Jay-Z curate soundtrack for Baz Luhrmann’s The Great Gatsby (which stars Leonardo DiCaprio, Carey Mulligan, and a general lack of tasteful restraint).
“Young and Beautiful” has appeared in ads for the film, which makes sense because like seemingly all of Lana Del Rey’s catalog, it’s a sweeping epic about being young forever and going to parties. It asks a question at the center of Luhrmann’s film: “Will you still love me when I’m no longer young and beautiful?”
Listen below: READ FULL STORY
Break-ups, breakdowns, and… Britney? As finales continue, this week’s Jukebox has them all. So, if you’ve been wondering “What’s that song?” while watching your favorite shows, we’re here to tell you. Check out our picks and the Spotify playlist below. (Warning for those still catching up on DVR: SPOILERS ahead!) READ FULL STORY
F. Scott Fitzgerald and Fergie, together at last: the Black Eyed Peas member, aided by Q-Tip and GoonRock, contributed a song to the Jay-Z-produced soundtrack for Baz Luhrmann’s upcoming The Great Gatsby adaptation.
Of course, Luhrmann’s movies have a memorable musical history, full of quality original tracks like Radiohead’s “Exit Music (For a Film)” (written for Romeo + Juliet) and Moulin Rouge‘s chart-topping “Lady Marmalade” from Christina Aguilera, Lil’ Kim, Pink, and Missy Elliott.
But does the genre-hopping, Fergie-led “A Little Party Never Killed Nobody (All We Got)” stand up to its predecessors? We’re not so sure. It doesn’t help that Ferg’s titular sentiment doesn’t quite mesh with the message of, you know, The Great Gatsby, but perhaps the song is meant to foreshadow the downfall at novel’s end.
Or maybe not! Give the song a listen below and let us know what you think:
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