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Tag: Usher (11-20 of 82)

Rick Ross, 'God Forgives, I Don't': The EW Review

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Ever since his 2006 breakout single “Hustlin’” put him on the map as a player in modern rap music, Miami’s Rick Ross has slowly built up an empire. Today marks the release of his fifth album, God Forgives, I Don’t, a hard-hitting companion to the recently released Self Made Vol. 2, from his Maybach Music crew.

The review of Ross’ new album appears in this Friday’s issue of Entertainment Weekly, but you can check out an expanded version of it below:

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Album Sales: Usher dances to No. 1; Rush, Ed Sheeran start off strong

Here’s some news sure to make Usher “Scream.”

The R&B/pop crooner’s 7th studio album Looking 4 Myself topped the Billboard 200 in its debut week, shifting 128,000 copies. While that start can’t compare to the first-week sales of his last effort, 2010′s Raymond vs. Raymond, which sold 329,000 copies in its first week, that’s not exactly a surprise. Usher hasn’t produced a “DJ Got Us Falling In Love”-sized smash from Looking 4 Myself yet — the album’s lead single “Climax” only reached number 17, while its follow-up “Scream” has peaked at 13.

In second, Canadian prog-rockers Rush demonstrated remarkable resilience with their latest, Clockwork Angels, which moved 103,000 copies — up from the 93,000 their last album, 2007′s Snakes and Arrows, sold in its first week. In 2002, their Vapor Trails debuted with 110,000 units sold; the fact that their numbers haven’t eroded in the last decade is impressive. READ FULL STORY

Usher, Grace Potter, Superchunk are all over this week's Spotify playlist

This week in new releases, Usher’s latest finds the radio vet keeping up with the cool kids (hey there, Diplo!), much like the 68-year-old Bobby Womack does on his Damon Albarn-helmed 28th album. And speaking of cool kids, new releases from the likes of Waka Flocka Flame, Evans the Death, and Hot Chip also kept our headphones busy this week.

Plenty of stand-alone singles made the grade as well, including new ones from Lil Wayne, Kylie Minogue, Superchunk and more. Check it all out in the playlist below:

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2012 Billboard Music Awards: 20 essential takeaways from the show

Like most music awards shows, the Billboard Music Awards are so not about the statuettes that are doled out. The show — which aired live last night on ABC from the MGM Grand Hotel, with hosts, Modern Family stars Julie Bowen and Ty Burrell — is typically more about everything but the awards: performances, tributes, collaborations, and other sundry craziness.

Hell, even the fashion — hello to Miley Cyrus’ barely-there suit jacket — is more important than the prizes! And that was no different this year. Just a handful of the 46 awards were actually given out during the show (LMFAO dominated), which was jolted to life with performances from Katy Perry, Cee Lo Green, and Linkin Park; tributes to Robin Gibb, Donna Summer, Whitney Houston, the Beastie Boys’ Adam Yauch, and Stevie Wonder; a collaboration between Stevie Wonder and Alicia Keys; and a heartfelt speech by Houston’s daughter Bobbi Kristina Brown.

Here are 20 essential takeaways from the evening:

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Usher premieres new video for 'Climax,' introduces Vevo's next wave

Usher’s new single “Climax”—which, he’d like to remind you, is not about sex at all—is steadily climbing up the Billboard Hot 100 (it jumped up from 81 to 57 this week), and nothing injects a fresh track with a little adrenaline like a new video.

In fact, “Climax” has adrenaline to spare. While Usher is usually content to show off his dance moves and flash his abs, “Climax” is a purely cinematic affair that casts him as a jealous spurned lover.

It has everything a proper action noir needs: Guns! Fast cars! Violent sex! Brooding behind steering wheels! The narrative is a little muddled (is Usher thinking through all the various scenarios that could happen should he act, or does the car chase simply follow him capping that other dude?), but it looks sharp and allows Usher to really live in the pathos of the song’s heartbroken lyrics. If “Climax” is a bellweather, then Usher’s upcoming album should be one of the all-time great divorce records—his Here, My Dear.

Check out the video below, and see if you can follow the Lynchian plot threads. READ FULL STORY

TV Jukebox: 'American Idol,' 'Smash,' 'Cougar Town,' and more music-on-TV moments

Rainy days and Mondays may have gotten Karen Carpenter down, but the rain washes away old heartbreaks for at least a couple of our favorite characters in this latest TV Jukebox.

A pathetic fallacy of a rainstorm made for a new lease on love in this week’s How I Met Your Mother, and a downpour was key to an impromptu proposal on Parenthood — though, thankfully, not on Cougar Town; otherwise they’d still be cleaning up the wet toilet paper!

Elsewhere, crazy dreams came true on Smash and American Idol, paint went splat for science’s sake on CSI, and sexytimes abounded on Nikita and Being Human. That’s without mentioning the “show tunes” from Glee, House of Lies, Private Practice, Body of ProofFringeand Hart of Dixie. Click through to see our picks. (Warning for those still catching up on DVR: SPOILERS ahead!) READ FULL STORY

Grammys to honor Nick Ashford and Jerry Leiber

Three months after losing musical and life partner Nick Ashford, Valerie Simpson acknowledges that she still has a hard time performing any of the classic songs they created together. “I get a big lump in my throat when I try to sing one of our songs right now,” she said.

She’ll get a little help next week as Usher is set to sing from the Ashford & Simpson catalog for what promises to be a poignant moment in the usually upbeat Grammy nominations prime-time special. It will be part of a joint tribute to Ashford and Jerry Leiber, and will also feature Mike Stoller, who was Leiber’s longtime writing partner. Leiber and Stoller wrote classics such as “Hound Dog,” “Jailhouse Rock,” “Yakety Yak” and other hit songs that came to define early rock `n’ roll. Ashford and Simpson helped define the Motown sound with hits like “Ain’t No Mountain High Enough,” “Reach Out and Touch Somebody’s Hand” and “You’re All I Need to Get By,” as well as soul hits for themselves and others. READ FULL STORY

David Guetta and Usher go continent-hopping for 'Without You' video: Watch it here!

Ubiquitous DJ-turned-dance music producer David Guetta is closing in on a banner 2011, thanks to his guest-happy, hit-filled solo album Nothing But the Beat.

The album’s third single “Without You,” which features syrupy, plaintive vocals care of Usher, is currently sitting at number eight on the Billboard Hot 100, and the track now has a flashy video that premiered earlier today.

The video opens with a little intercontinental flavor, driving home the fact that Guetta is beloved all over the world. While Guetta is laying down beats for hordes of people, Usher is all alone on a beach.

But wait! Before you weep for Usher and his loneliness, there’s a (literally earth-shattering) twist!

Check out the clip below, and feel free to do your little desk chair dance to keep your Friday afternoon funky. READ FULL STORY

RCA Records retires Jive, J Records, and Arista

Entertainment Weekly has confirmed that RCA Records has folded J Records, Arista Records, and Jive into parent label, RCA. The label issued a statement to EW explaining that the move was “an effort to refresh RCA Records,” and “all label imprints (J Records, Arista Records and Jive) will now be under the the iconic RCA Records label.” Among the artists who will be affected by the change are Jive tentpoles (Britney Spears, Justin Timberlake), singers from Arista (Alicia Keys, Pink, Usher), and J Records acts, including Pitbull.

Taylor Swift duets with Usher, T.I. during all-star sweep through Atlanta: Watch here

It’s Monday, which means it’s time once again to play Who Showed Up At Taylor Swift’s Tour Stop Over The Weekend?

Swift’s indefatigable Speak Now tour made its way to Atlanta over the weekend, and showcased visits from not one but two local superstars.

On Saturday night, Swift welcomed Usher to the Speak Now stage, and the two of them ran through his massive 2004 single “Yeah.”

Sadly, Swift did not take on the Lil Jon part (or the Ludacris verse), opting instead to sing along with Mr. Raymond in the chorus. Naturally, the ATL fans in attendance went ape, including Usher’s two sons, who ran up on stage at the conclusion of the duet.

On Sunday, Swift brought out another member of Atlanta’s musical royalty: T.I. The rapper (who had only been tasting free air for a few days thanks to his release from prison) tag-teamed with Swift on “Live Your Life,” with Taylor filling in for Rihanna.

Sunday’s performance was quite a bit more theatrical, as Swift started out by crooning the song’s chorus (even adding Rihanna’s island lilt on the word “haters”), then calling for T.I., who began rapping from backstage only to make his way down the dramatic, sparkly staircase that serves as the centerpiece of Swift’s Speak Now set.

Follow the jump for shaky cell phone video of each performance: READ FULL STORY

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